Ken Lupper „walkt"
Lesson time: (1min 46sec)
Course preview
This lesson is part of the course Spiele die Hammond-Orgel authentisch
Watch a preview of the full course below.
Lesson transcript:
Crafting the Perfect Organ Sound
In this lesson, we'll explore how to effectively set your organ tone for ghosting and moving between chord changes in a song.
Setting Adjustments
- Primary Setting:
- Use mostly number eight.
- Incorporate a bit of the bass as well, depending on how bassy your instrument is.
Listening Example
There is a great track to listen to: "Amazing Grace" by Aretha Franklin, featuring organ player Ken Luppa.
Key Insights
- The track reflects a bluesy style.
- Notice how Ken uses a particular tone to walk up between the 1 and the 4.
- The song is in D flat and goes something like:
[Insert musical notation or description of the notes here]
Transition Techniques
- When changing the setting, consider that on the top, you might have something like:
[Insert musical notation or description of the notes here]
- Collaboration:
- It can be difficult to illustrate these points without the band present.
- The key is to implement these little changes and flourishes.
- Remember that getting out of the way is essential; this is what organ playing with a singer is all about.
About the instructor

Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T. read more




