Lead-Lines: 'Green Onions' Booker T
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Joe GlossopJoe Glossop zerlegt die Lead-Lines zu „Green Onions“ auf der Hammond-Orgel und arbeitet an der F-Blues-Tonleiter, dem Slip-off-Phrasing und dem leicht verzögerten Treffen des Backbeats.
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45 Lektionen (3h 0m) · 1 gratis
01. Interpretation: 'Green Onions' von Booker T
3:01
02. Sounds: 'Green Onions' Booker T
3:08
03. Das Stück spielen: 'Green Onions' von Booker T
8:21
04. Lead-Lines: 'Green Onions' Booker T
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05. Basslinie: 'Green Onions' Booker T
2:01
06. Aufführung: Jimmy McGriff - All About My Girl
3:43
07. Aufführung aus Keyboard-Sicht: Jimmy McGriff - All About My Girl
3:43
08. Sounds: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Das Thema spielen: 'All About My Girl' - Jimmy McGriff
2:58
11. Basslinie: 'All About My Girl' - Jimmy McGriff
1:52
12. Schluss: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation und Comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Keyboard-Ansicht: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Keyboard-Ansicht: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Keyboard-Ansicht: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Keyboard-Ansicht: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Keyboard-Ansicht: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues nach 'Blue Bash' - Jimmy Smith
7:59
12. Keyboard-Ansicht: Blues nach 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' M-series-Jam - Jimmy Smith
6:44
Transkript der Lektion
Understanding Lead Lines in F Blues Scale
So let's talk about the lead lines. It's basically almost all F blues scale. The only note that might be in there that isn't part of that is your G.
Key Elements
- A couple of slips that he does don't include maybe things from the scale, but we'll get to that in a second.
- The third harmonic is on there, which gives you a little extra sort of attack on the top of the note.
Phrasing and Technique
There are a lot of slips in this, and the phrasing is very intentional:
- It's all about slipping off notes and the way he's pulling it back.
- If you're playing it straight, you could go one way, and sometimes he does that, but sometimes he might go another.
- It's very much about trying to catch that backbeat as late as possible.
Demonstration
From the top, I'll do it without the bass now. As you can see, there's a lot of kind of putting notes in between your blues scale that aren't really included. But it's just an in-between kind of flourish.
- The D is in there, so that's your six included.
- And obviously, you're going up to your G; you got your six and your nine in there.
Repetition and Slips
There's a lot of repetition:
- E flat to F there, all slipped off each other.
- Slipped from the E flat to the F, and then slipped from the E to the F.
There's nothing that's out of bounds, really, but the main focus is that blues scale stuff. You can use any note to sort of get there.
After the Guitar Solo
So, in the second round after the guitar solo, a lot of the same kinds of things come into play.
- Phrasing is key. It's all about the dragging back.
- It's kind of a shade off playing it straight.
So there you have it, your lead lines.
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
