Das Thema spielen: 'All About My Girl' - Jimmy McGriff
Mit
Joe GlossopJoe Glossop unterrichtet das Thema von Jimmy McGriffs 'All About My Girl', ein 12-Bar-Blues mit einer Walking Bass und Akzenten in der rechten Hand.
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45 Lektionen (3h 0m) · 1 gratis
01. Interpretation: 'Green Onions' von Booker T
3:01
02. Sounds: 'Green Onions' Booker T
3:08
03. Das Stück spielen: 'Green Onions' von Booker T
8:21
04. Lead-Lines: 'Green Onions' Booker T
4:43
05. Basslinie: 'Green Onions' Booker T
2:01
06. Aufführung: Jimmy McGriff - All About My Girl
3:43
07. Aufführung aus Keyboard-Sicht: Jimmy McGriff - All About My Girl
3:43
08. Sounds: 'All About My Girl' - Jimmy McGriff
4:01
09. Intro: 'All About My Girl' - Jimmy McGriff
2:10
10. Das Thema spielen: 'All About My Girl' - Jimmy McGriff
Du bist hier2:58
11. Basslinie: 'All About My Girl' - Jimmy McGriff
1:52
12. Schluss: 'All About My Girl' - Jimmy McGriff
1:51
13. Improvisation und Comping: 'All About My Girl' - Jimmy McGriff
4:38
01. A Change is Gonna Come' - Sam Cooke
7:46
02. Keyboard-Ansicht: 'A Change is Gonna Come' - Sam Cooke
1:20
03. La La means I love you' - Booker T
5:39
04. Keyboard-Ansicht: 'La La means I love you' - Booker T
2:25
05. Groovin' Booker T & the MGs
4:57
06. Keyboard-Ansicht: 'Groovin' ' - Booker T & the MGs
1:15
07. Time is Tight' - Booker T & the MGs
5:31
08. Keyboard-Ansicht: 'Time is Tight' - Booker T & the MGs
1:39
09. 'The Girl from Ipanema' - Antonio Carlos Jobim
6:17
10. Keyboard-Ansicht: ‘The Girl from Ipanema’ - Antonio Carlos Jobim
2:36
11. Blues nach 'Blue Bash' - Jimmy Smith
7:59
12. Keyboard-Ansicht: Blues nach 'Blue Bash' - Jimmy Smith
3:24
13. Walk on the Wild Side' M-series-Jam - Jimmy Smith
6:44
Transkript der Lektion
Music Lesson
As for the head, it's basically a 12 bar, and you've got a 13 up there voiced like that.
Key Concepts
- With your thumb, you have to play the seven and the one at the same time.
- So that's what's going on: the right hand and the left hand creating a pretty simple bass line.
- Usual kind of bass setting there, and we're kind of swinging.
Emphasis and Movement
What's really important is getting that emphasis. That's what moves it along; it's coming off that F. Particularly when you're playing it on your own like that:
- There's no kit.
- There's no movement around what you're doing.
- You've got to create that movement.
Completeness in Sound
So, it sounds pretty good, but it's not really complete. You need something to answer that line. You need a bit of that punctuation we've talked about before.
Right Hand Punctuation
- What you do is add a bit of right hand punctuation on your bottom manual, which is your bass setting.
- This should happen in between the lead line.
And he does that throughout the tune.
Answering Your Soloing
What you can do to answer your soloing is to kind of answer it on the bass, but with an actual chord rather than just a single note.
For example:
- You might play something like that kind of thing.
This breaks it up, gives you a bit of spread face, and keeps it tasty. Remember to stay somewhat restrained; you don't want to give it all away.
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Joe Glossop ist ein Keyboarder aus Sheffield, der sich an der Hammond-Orgel einen Namen gemacht hat. Derzeit hat er den Orgelplatz in Tom Jones' Tourband inne und hat mit Van Morrison und James Hunter gespielt, ebenso an Klavier und Rhodes. Seine Kurse holen den echten Hammond-Sound aus jedem Keyboard heraus: die Zugriegel-Registrierung, das Leslie, den Walking Bass der linken Hand und das Begleit- und Solovokabular der Soul-Jazz-, Blues- und Rock-Orgeltraditionen, von Jimmy Smith bis Booker T.
