Verlagsverträge verstehen

Jay Mistry
Jay Mistry

Lesson time: (11min 51sec)

Jay Mistry geht die wichtigsten Klauseln eines Verlagsvertrags durch - Laufzeiten, Territorium, Exklusivität, Vorschüsse, Tantiemensätze und Gewährleistungen - anhand eines Mustervertrags der Musicians' Union.

Course preview

This lesson is part of the course Ein Leitfaden zu Musikverlag und Synchronisation
Watch a preview of the full course below.

Lesson transcript:

Understanding Publishing Contracts: Key Points for First-Time Reviewers

Okay, so let's start looking at the publishing contract. We're not going to get into a lot of detail or legalese, but rather focus on how someone like you can advise a person seeing a contract for the first time. Here are some important titles and headings to look out for:

Start Date and End Date (Term)

  • Importance: Knowing how long you are in the contract is crucial.
  • Typical Length: Usually, the term is three years, which allows ample time to produce music and for publishers to collect royalties.
  • Caution: Be wary of contracts longer than three years, such as a five-year deal.

Advance Payments

  • Structure: Advances can vary based on whether you're a pure songwriter or writing for an artist.
  • Option for Advances: Depending on the artist's albums, advances could be:
    • Paid annually or segmented (e.g. £50,000 every term).
  • Minimum Song Delivery: Exclusivity agreements often include clauses on the number of songs needed per year to qualify for the next advance.

Important Terms and Clauses

Territory

  • Nature of Territory: Usually, contracts are worldwide to allow publishers to collect royalties globally.
  • Sub-Publishing Deals: These may be limited to specific territories (e.g., France).
  • Inquiry: Ask the publisher about their sub-publishing arrangements to ensure global royalty collection.

Exclusivity

  • Definition: An exclusive agreement prevents you from working with other publishing companies.
  • Importance: Be aware of what you're signing if the contract states it is exclusive.

Repayment of Advances

  • Understanding Repayment: Advances function like loans; they are paid back through royalties collected from your works.
  • Money Flow: Before receiving additional funds, the publisher will deduct prior advances from your collected royalties.

Commitment

  • Minimum Commitment: Expect an agreement on the minimum number of songs you need to create over a certain period (e.g., 10 or 20 songs).
  • Quality Control: Publishers look for releases that have been recorded by artists; you can't just write any songs to meet your commitment.

Royalty Rates

  • Importance: Understand how much you will earn from the deal.
  • Varied Rates:
    • Starting rates might be around 50/50 or 70/30.
    • Rate adjustments can be made as you gain recognition.
  • Differentiation: Different rates apply for various platforms such as film, TV, or the Internet.

Jurisdiction

  • Critical Information: Generally found at the end of contracts, specifying the governing law of the agreement (e.g., California or UK law).
  • Caution for UK Composers: If signing US contracts, ensure they are governed by UK law unless you have legal support in the US.

Warranties

  • Obligations: Like commitments, warranties outline responsibilities on both sides regarding the quality and fulfillment of the contract.

Conclusion

We've covered several key terms in music publishing contracts. For specific examples of different types of contracts, please refer to the course page. Always ensure you understand each aspect of a contract before signing!

About the instructor

Jay Mistry
Jay Mistry

Jay Mistry ist ein Veteran der Musikbranche mit 30 Jahren Erfahrung und beherrscht die meisten Aspekte des Musikgeschäfts. Jay begann seine Laufbahn bei der Performing Right Society, bevor er zu BMG Music Publishing wechselte, wo er gebeten wurde, die Abteilung für die Nachverfolgung von Einnahmen von Grund auf aufzubauen. 2003 gründete er Musical Sleuth Ltd, den ersten unabhängigen Royalty-Tracking-Dienst seiner Art, der Kunden wie Eric Clapton und The Beatles zählte. Nachdem er die Feinheiten von Urheberrecht und Tantiemen gemeistert hatte, wurde Jay 2009 gebeten, Director of Music Services bei The Discovery Channel zu werden. Sein Erfolg bei Discovery bewog die New Yorker Unternehmer Jingle Punks, ihn zu holen, um ihr US-Verlagsgeschäft aufzubauen und zu stabilisieren und zugleich ihr globales Inkasso-Netzwerk auszubauen. Jay berät heute eine Reihe hochkarätiger Komponisten, Musikbibliotheken, Filmproduzenten, Verlage und Tech-Plattformen. In A Guide To Music Publishing And Synchronization bringt Jay drei Jahrzehnte aus dem Innersten des Geschäfts auf klare, praxisnahe Ratschläge und zeigt dir, wie Verlagswesen, Urheberrecht, Tantiemen und Sync-Deals wirklich funktionieren – und wie du sie für dich arbeiten lässt. read more

What's included?

21 lessons (4h 21m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info