Lesson 50 of 114DrumsBeginner

Example 1 - Focusing on Coordination

Sophie Alloway works on coordination - landing the hi-hat and bass drum together in unison without flams, using the chugging rhythm guitar track to keep your timing even.

Part of the courseRockschool Drums Method for Beginners114 lessons (3h 47m)

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Sophie AllowayYour guruSophie Alloway

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114 lessons (3h 47m) · 1 free
    • 01. Metal Introduction - Playing Two Drum Voices

      3:35

    • 02. Example 1 - Focusing on Coordination

      You are here

      2:19

    • 03. Example 2 - Bass Drum Variations

      1:16

    • 04. Example 3 - Coordinating the Hands

      1:09

    • 05. Bonus Exercise 1

      1:05

    • 06. Bonus Exercise 2

      0:50

    • 07. Metal Lesson 1 Summary

      0:25

    • 08. Metal Lesson 2 - Playing Your First Full Beat

      1:56

    • 09. Example 1 - Basic Rock Beat Hi-Hat Pattern

      1:08

    • 10. Example 2 - Adding the Back Beat

      0:58

    • 11. Example 3 - Adding the Bass Drum

      0:59

    • 12. Example 4 - Power Trip Bars 13-14

      1:32

    • 13. Bonus Exercise 1

      1:10

    • 14. Bonus Exercise 2

      0:53

    • 15. Metal Section Summary

      1:05

Lesson transcript

Developing Coordination: Example One

So, with Example One, we're going to start developing our coordination to make sure that we're able to play things in unison. This means hitting two or more things at the same time.

Key Points to Remember:

  • Avoid Flams:

    • We don't want any flams, which are unintentionally out-of-time notes.
    • A flam is a rudimentary technique where we purposely play notes slightly out of sync to add depth and weight, but we do not want this when aiming for unison.
  • Maintain an Even Pulse:

    • It's essential to keep a nice, even pulse.
    • When you play a bass drum with a hi-hat, commit to landing them at the same time.
    • The same applies when playing a snare with a hi-hat; make sure they land together.

Coordination Focus in Example One

  • We will focus on coordination by playing:
    • Quarter notes on the hi-hat.
    • The bass drums as written, aiming to get them to land together.

Let’s Try Example One

  • Count along: 1, 2, 3.

Additional Tips

  • Guitar Part:
    • The rhythm guitar part, with its chugging along, is really useful.
    • It acts as our metronome, providing a good feel and a nice musical backdrop, which helps us play in time.

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Meet your guru

Sophie Alloway

Sophie Alloway

Sophie Alloway is a session and touring drummer at the heart of the London jazz scene. She has performed with Jason Rebello, Yazz Ahmed, Laurence Cottle and Tony Allen, and notably played for Prince Charles at Buckingham Palace shortly before he became King.

Touring credits include Roots Manuva, the Thriller musical and Paul Stacey (Oasis / The Black Crowes). She is also the drummer in original fusion band Lydian Collective, with over six million Spotify streams.

Sophie has recorded sessions at Abbey Road, AIR and Angel studios, and her television appearances include Later… with Jools Holland, Glastonbury and two series of Adrian Dunbar’s drama Ridley. She is featured on Abbey Road Masters: The Drum Sessions and performed for the BBC Young Jazz Musician 2024 finalists, broadcast on BBC TV and Radio. Jon Newey of Jazz FM dubbed her the “goddess of groove”.

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