Borderlands (Country) - Walkthrough
With
Sophie Alloway
What's in the course
114 lessons (3h 47m) · 1 free
01. Rock Drumming Introduction
7:55
02. Example 1 - Single Strokes
2:44
03. Example 2 - Double Strokes
1:28
04. Example 3 - Paradiddles
2:37
05. Bonus - Combining Singles, Doubles, and Paradiddles
2:22
06. Rock Lesson 2 - Adding Rests
1:48
07. Example 1 - Rest on Beat 4
1:56
08. Example 2 - Rest on Beat 2
1:36
09. Example 3 - Moving Rests
1:05
10. Example 4 - Piston Bars 12-16
1:56
11. Bonus Exercise 1
1:49
12. Bonus Exercise 2
1:02
13. Rock Section Summary
1:50
01. Pop - Adding the Hi-Hat
1:31
02. Example 1 - Quarter Notes on Hi-Hat
1:40
03. Example 2 - Resting on Beat 1
1:42
04. Example 3 - Two Consecutive Quarter Note Rests
1:28
05. Bonus Exercise 1
1:11
06. Bonus Exercise 2
1:10
07. Pop Lesson 2 Example 1 - Combining the Hi-Hat & Snare
1:11
08. Example 2 - Moving Quickly Between Drum Voices
1:17
09. Example 3 - Two Drum Voices in One Bar
0:59
10. Example 4 - Take It to the Top Bars 1-4
1:10
11. Bonus Exercise 1
1:08
12. Bonus Exercise 2
1:04
13. Pop Music Section Summary
0:51
01. Introduction to Country Music
4:13
02. Skills Checkpoint
1:54
03. Example 1 - Half-Note Rest
1:18
04. Example 2 - Placing of the Half-Note Rest
1:31
05. Example 3 - Bass Drum Phrases
1:29
06. Bonus Exercise 1
1:27
07. Bonus Exercise 2
1:10
08. Country Lesson 2 - Combining Bass Drum, Snare, and Hi-Hat
3:07
09. Example 1 - Combining the Bass Drum & Hi-Hat
1:40
10. Example 2 - Adding the Half-Note Rest in Various Positions
1:10
11. Example 3 - Moving Quickly Between Drum Voices
1:10
12. Example 4 - Borderlands Bars 1-4
1:06
13. Bonus Exercise 1
1:30
14. Bonus Exercise 2
0:56
15. Country Music Section Summary
0:26
01. Metal Introduction - Playing Two Drum Voices
3:35
02. Example 1 - Focusing on Coordination
2:19
03. Example 2 - Bass Drum Variations
1:16
04. Example 3 - Coordinating the Hands
1:09
05. Bonus Exercise 1
1:05
06. Bonus Exercise 2
0:50
07. Metal Lesson 1 Summary
0:25
08. Metal Lesson 2 - Playing Your First Full Beat
1:56
09. Example 1 - Basic Rock Beat Hi-Hat Pattern
1:08
10. Example 2 - Adding the Back Beat
0:58
11. Example 3 - Adding the Bass Drum
0:59
12. Example 4 - Power Trip Bars 13-14
1:32
13. Bonus Exercise 1
1:10
14. Bonus Exercise 2
0:53
15. Metal Section Summary
1:05
01. Indie - Introduction to the Style
1:26
02. Example 1 - Resting on Beat Three
1:01
03. Example 2 - More Variations
1:00
04. Example 3 - Coordinating the Limbs
2:16
05. Bonus Exercise 1
1:10
06. Bonus Exercise 2
0:50
07. Indie Lesson 1 Summary
0:25
08. Indie Checkpoint - Mallets
2:46
09. Indie Lesson 2 - Introducing 8th Note Bass Drum and Snare
1:25
10. Example 1 - Eighth-Note Snare
1:36
11. Example 2 - Eighth-Note Bass Drum
1:04
12. Example 3 - Eighth Note Phrase
0:59
13. Example 4 - 'Big Mouth' Bars 1-4
1:48
14. Bonus Exercise 1
0:38
15. Bonus Exercise 2
0:59
16. Indie Section Summary
0:34
01. Hip-Hop Introduction - Basic Beats and Fills
1:33
02. Example 1 - Snare & Bass Drum Fill
1:10
03. Example 2 - Snare & Hi-Hat Fill
1:08
04. Example 3 - Fill Using Snare, Hi-Hat & Bass Drum
1:09
05. Bonus Exercise 1
1:38
06. Bonus Exercise 2
0:47
07. Hip-Hop Lesson 1 Summary
0:32
08. Hip Hop Lesson 2 - Introduction to Eighth Note Beats
3:53
09. Example 1 - The Basic Eighth-Note Beat
1:19
10. Example 2 - Snare Drum Variations
1:28
11. Example 3 - Bass Drum Variations
1:09
12. Example 4 - 'The Dogg' Bars 13-16
1:56
13. Bonus Exercise 1
1:04
14. Bonus Exercise 2
1:09
15. Hip-Hop Section Summary
0:32
01. Introduction to the Pieces
1:04
02. Piston (Rock) - Walkthrough
4:57
03. Piston (Rock) - Performance
0:46
04. Take it to the Top (Pop) - Walkthrough
3:58
05. Take it to the Top (Pop) - Performance
0:50
06. Borderlands (Country) - Walkthrough
You are here3:49
07. Borderlands (Country) - Performance
0:48
08. Power Trip - Walkthrough
5:04
09. Power Trip (Metal) - Performance
0:51
10. Big Mouth (Indie) - Walkthrough
5:26
11. Big Mouth (Indie) - Performance
0:52
12. The Dogg (Hip Hop) - Walkthrough
6:14
13. The Dogg (Hip Hop) - Performance
0:51
14. Overload (Rock) - Walkthrough
5:23
15. Overload (Rock) - Performance
0:50
16. Slam (Metal) - Walkthrough
4:28
17. Slam (Metal) - Performance
0:51
18. Under the Radar (Indie) - Walkthrough
5:02
19. Under the Radar (Indie) - Performance
0:50
Lesson transcript
Music Lesson: Drumming in "Borderlands"
In the country piece "Borderlands," we play a supporting role, which is common for drummers, particularly in relation to the guitar. Here are some key points to keep in mind:
Supporting Role
- Country music often features subtle drumming.
- Our role is to support the vocalists and guitarists.
- Focus on the space and dynamics of the music rather than bashing the drums.
Understanding Rests
- Observe rests in the first line:
- Quarter note rest
- Half note rest
- Count through those rests to avoid rushing into the next bar.
Hi-Hat Introduction
- At the end of the first line, there is an introduction of the hi-hat on beat four.
- I recommend playing the hi-hat with your right hand (if you’re a right-handed drummer), as it sets you up for the next line.
Demonstration of Transition
-
Let me demonstrate:
- Fourth bar of the first line leading into the first bar of the second line.
-
By using your left hand for the snare drum at the end of the first line, you’ll be prepared for the snares in the groove, with your right hand ready on the hi-hats.
Watch for Hi-Hat Fills
-
At the end of the second line:
- Pay attention to the hi-hat fill in the second half of that last bar.
- On beats one and two, play the snares right, left.
-
Caution with Hi-Hats:
- Don’t let the hi-hats take you by surprise; they sync with the guitar line, creating a cohesive band feel.
Playing Example
-
The fourth bar of the second line should be played like this:
- Right, left, right, left, right (if you're a right-handed player).
-
This sets us up for the groove that kicks in during line three.
Steady Groove in Line Three
- The third line features a steady groove without rests.
- There’s a little snare fill at the end of the third line.
- Play the snares right, left to lead into the hi-hat at the beginning of the fourth line.
Demonstration of the Fill
-
Here’s how to execute the fill:
- Fourth bar of the third line leading into the first bar of the fourth line.
-
Using the right, left technique for the snares at the end of the third line prevents a rush into the next bar.
Final Snare Fill
- In the last line:
- The snare fill in the third bar includes snares on four.
- You don’t have to play them right, left since we're not leading into anything on the hi-hat in the last bar—just bass drums.
Conclusion
- Practice the transition to ensure smooth performance.
- End with two solid bass drums on:
- Beat one and beat two.
Feel free to ask questions as we explore this piece further!
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Meet your guru
Meet your guru
Sophie Alloway is a session and touring drummer at the heart of the London jazz scene. She has performed with Jason Rebello, Yazz Ahmed, Laurence Cottle and Tony Allen, and notably played for Prince Charles at Buckingham Palace shortly before he became King.
Touring credits include Roots Manuva, the Thriller musical and Paul Stacey (Oasis / The Black Crowes). She is also the drummer in original fusion band Lydian Collective, with over six million Spotify streams.
Sophie has recorded sessions at Abbey Road, AIR and Angel studios, and her television appearances include Later… with Jools Holland, Glastonbury and two series of Adrian Dunbar’s drama Ridley. She is featured on Abbey Road Masters: The Drum Sessions and performed for the BBC Young Jazz Musician 2024 finalists, broadcast on BBC TV and Radio. Jon Newey of Jazz FM dubbed her the “goddess of groove”.
