Swing Quavers
Lesson time: (1min 42sec)
Ollie Weston shows how to feel jazz swing quavers using a triplet - saying 'sax-phone' to find that authentic rhythmic bounce.
Course preview
This lesson is part of the course Exploring Jazz Saxophone: Part 1 - Getting Started
Watch a preview of the full course below.
Lesson transcript:
Introduction to Swing Quavers
In this lesson, I'm going to do a quick introduction to swing quavers, which will really help get an authentic rhythmic feel in your playing.
Understanding the Blues Scale
Having met the blues scale and got a good palette of six notes, we just need to establish a solid rhythmic feel as well.
Setting the Pulse
If I set up a pulse, we're used to quavers being even pairs of notes, dividing halfway between the beats to achieve nice, even balance quavers.
Finding Swing Quavers
To find swing quavers, I need to identify a triplet in here.
Using a Three-Syllable Word
I'm holding a saxophone, so I'm going to use that three-syllable word:
- Saxophone
- Saxophone
- Saxophone
To find a triplet rhythm, I'm going to miss out the middle syllable. So, I just want the "sax" and the "phone" sounds.
The Rhythm
Here's how it goes:
- Sax, phone
- Sax, phone
- Sax, phone
- Sax, phone
- Sax
And that is the basis of swing playing.
Demonstration
I'm just going to play a blues scale and just two notes on each to demonstrate a swing feel:
3, 4...
Whenever you see the word swing at the top of a tune, that's what it means. It's saying to play your quavers with that triplet-y feel in the background, underlying your playing.
By combining good note choices from your blues scale with this rhythmic feel, you'll enhance your musical expression significantly.
About the instructor

Since graduating from the Leeds College of Music (BA Hons) and the Guildhall School of Music (Post Graduate Diploma in Performance), Ollie has built a busy and varied career in music. As a saxophonist he has performed in live and studio settings with artists as diverse as Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, the London Jazz Orchestra, the Hackney Colliery Band, the Ambient Jazz Ensemble and the Nelson Riddle Orchestra. He is also the co-leader of the jazz quartet 'Time Is Of The Essence', and composes and arranges material for this and other ensembles. Ollie is active in music education, currently as course leader for the jazz department at the Guildhall School of Music and Drama (junior school), where he runs jazz ensembles, big band and theory classes. He has written a series of 'Exploring Jazz' books for Schott Music that are published worldwide and feature on exam syllabuses in the UK. Ollie has also run workshops for Oxford University, Pro Corda Strings and BABSWE, as well as the Guildhall School of Music summer schools. In his Exploring Jazz Saxophone courses, Ollie takes you from getting started right through to soloing confidently over songs and chord sequences, building the improvising skills that put a real jazz player's vocabulary at your fingertips. read more




