Lesson 3 of 51Alto SaxophoneBeginner

Swing Quavers

1:42

Ollie Weston shows how to feel jazz swing quavers using a triplet - saying 'sax-phone' to find that authentic rhythmic bounce.

Part of the courseExploring Jazz Saxophone: Part 1 - Getting Started51 lessons (2h 9m)

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Ollie WestonYour guruOllie Weston

What's in the course

51 lessons (2h 9m) · 1 free
    • 01. Introduction + leaving town demonstration

      Free lesson

      3:02

    • 02. The Blues Scale

      2:48

    • 03. Swing Quavers

      You are here

      1:42

    • 04. Combing the Blues Scale and Swing Quavers

      3:57

    • 05. Playing through the Blues form using root notes

      1:18

    • 06. Writes Your Own Blues

      0:59

    • 07. Leaving Town Blues - Improvise

      4:13

    • 08. Improvisation recap

      0:49

Lesson transcript

Introduction to Swing Quavers

In this lesson, I'm going to do a quick introduction to swing quavers, which will really help get an authentic rhythmic feel in your playing.

Understanding the Blues Scale

Having met the blues scale and got a good palette of six notes, we just need to establish a solid rhythmic feel as well.

Setting the Pulse

If I set up a pulse, we're used to quavers being even pairs of notes, dividing halfway between the beats to achieve nice, even balance quavers.

Finding Swing Quavers

To find swing quavers, I need to identify a triplet in here.

Using a Three-Syllable Word

I'm holding a saxophone, so I'm going to use that three-syllable word:

  • Saxophone
  • Saxophone
  • Saxophone

To find a triplet rhythm, I'm going to miss out the middle syllable. So, I just want the "sax" and the "phone" sounds.

The Rhythm

Here's how it goes:

  • Sax, phone
  • Sax, phone
  • Sax, phone
  • Sax, phone
  • Sax

And that is the basis of swing playing.

Demonstration

I'm just going to play a blues scale and just two notes on each to demonstrate a swing feel:

3, 4...

Whenever you see the word swing at the top of a tune, that's what it means. It's saying to play your quavers with that triplet-y feel in the background, underlying your playing.

By combining good note choices from your blues scale with this rhythmic feel, you'll enhance your musical expression significantly.

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Meet your guru

Ollie Weston

Ollie Weston

Since graduating from the Leeds College of Music (BA Hons) and the Guildhall School of Music (Post Graduate Diploma in Performance), Ollie has built a busy and varied career in music. As a saxophonist he has performed in live and studio settings with artists as diverse as Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, the London Jazz Orchestra, the Hackney Colliery Band, the Ambient Jazz Ensemble and the Nelson Riddle Orchestra. He is also the co-leader of the jazz quartet 'Time Is Of The Essence', and composes and arranges material for this and other ensembles.

Ollie is active in music education, currently as course leader for the jazz department at the Guildhall School of Music and Drama (junior school), where he runs jazz ensembles, big band and theory classes. He has written a series of 'Exploring Jazz' books for Schott Music that are published worldwide and feature on exam syllabuses in the UK. Ollie has also run workshops for Oxford University, Pro Corda Strings and BABSWE, as well as the Guildhall School of Music summer schools.

In his Exploring Jazz Saxophone courses, Ollie takes you from getting started right through to soloing confidently over songs and chord sequences, building the improvising skills that put a real jazz player's vocabulary at your fingertips.

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