Lesson 35 of 51Alto SaxophoneBeginner

Pearly White - Chords and Harmony

2:24

Ollie Weston works through 'Pearly White', a 16-bar tune based on 'Mack the Knife', applying major, minor and dominant seventh chords and building a solo over its changes.

Part of the courseExploring Jazz Saxophone: Part 1 - Getting Started51 lessons (2h 9m)

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51 lessons (2h 9m) · 1 free
    • 01. Pearly White - Chords and Harmony

      You are here

      2:24

    • 02. Pearly White - Performance

      4:22

    • 03. Pearly White - Soloing Suggestions

      0:26

    • 04. Down to It - Chords and Harmony

      2:22

    • 05. Down to It - Performance

      4:27

    • 06. Down to It - Soloing Ideas

      2:49

Lesson transcript

Lesson: Jazz Improvisation with Major Seven Chords

In this lesson, we're going to put together the work we've done on major seven chords, seventh chords, and minor seventh chords. We will apply these concepts into two contrasting tunes and explore their practical use.

Tune 1: Pearly White

Overview

  • The first tune is called Pearly White.
  • It's based on "Mack the Knife" by Kurt Weill, made famous by Frank Sinatra and various crooner-type singers.
  • The tune itself is very simple, consisting of two eight-bar sections that I've labeled A and B.
  • Overall, it forms a 16-bar structure that repeats.

Chord Progression

  • Section A:

    • G Major 7 (use a G major scale)
    • A minor (use the A Dorian scale)
    • D7
  • Section B:

    • E minor (shift tonality slightly down)
    • A minor 7
    • D7
    • Back to G

There are more chords here than we've used previously, but they should be familiar and comfortable for you to play.

Sample Solo

I've written a sample solo for Pearly White as a starting exercise. However, the ultimate goal is to improvise on your own.

  • Solo Structure:
    • First Chorus:
      • Simple, closely follows the melody.
    • Second Chorus:
      • A bit more scalic and busier with more notes.
    • Third Chorus:
      • Build up the energy, more emphatic rhythmically. The rhythm section will hopefully pick up the energy here as well.
    • Fourth Chorus:
      • Incorporates bluesy touches to add grit and tension to the solo.

Performance Structure

  • The tune will run the heads twice.
  • Followed by four choruses of solo.
  • Concludes with two heads to finish.

Remember to revise your scale choices and chord tones as we go through this lesson!

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Meet your guru

Ollie Weston

Ollie Weston

Since graduating from the Leeds College of Music (BA Hons) and the Guildhall School of Music (Post Graduate Diploma in Performance), Ollie has built a busy and varied career in music. As a saxophonist he has performed in live and studio settings with artists as diverse as Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, the London Jazz Orchestra, the Hackney Colliery Band, the Ambient Jazz Ensemble and the Nelson Riddle Orchestra. He is also the co-leader of the jazz quartet 'Time Is Of The Essence', and composes and arranges material for this and other ensembles.

Ollie is active in music education, currently as course leader for the jazz department at the Guildhall School of Music and Drama (junior school), where he runs jazz ensembles, big band and theory classes. He has written a series of 'Exploring Jazz' books for Schott Music that are published worldwide and feature on exam syllabuses in the UK. Ollie has also run workshops for Oxford University, Pro Corda Strings and BABSWE, as well as the Guildhall School of Music summer schools.

In his Exploring Jazz Saxophone courses, Ollie takes you from getting started right through to soloing confidently over songs and chord sequences, building the improvising skills that put a real jazz player's vocabulary at your fingertips.

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