Minor Pentatonic Workout

With
Ollie WestonOllie Weston plays the minor pentatonic in quavers over a minor seventh backing track, giving you room to explore your own phrases.
What's in the course
51 lessons (2h 9m) · 1 free
01. Introduction + leaving town demonstration
Free lesson3:02

02. The Blues Scale
2:48

03. Swing Quavers
1:42

04. Combing the Blues Scale and Swing Quavers
3:57

05. Playing through the Blues form using root notes
1:18

06. Writes Your Own Blues
0:59

07. Leaving Town Blues - Improvise
4:13

08. Improvisation recap
0:49

01. Introduction to Minor 7th Chords
3:32

02. Dorian Scale Workout
1:40

03. Minor 7th Chord Lick
2:22

04. Minor Pentatonic Patterns
3:51

05. Minor Pentatonic Workout
You are here1:52

06. Pentatonic vs Blues Scale
1:59

07. So Far so Good - Introduction
1:09

08. So Far so Good - Head
1:37

09. Minor Chord Extensions
2:45

10. Rhythmic Ideas
2:13

11. So Far so Good - Performance with Solo
3:50

01. Introduction to Modes
6:09

02. Diatonic Modes Exercise
4:04

03. Modes with a Static Root
1:58

04. Modes with Static Root Exercise
1:06

05. Modes with Static Root Recap
0:34

06. Phrase Exercise for Modes
1:07

07. Phrase Exercise for Modes (Demonstration)
1:29

08. Song Examples
1:56

09. First Impresssions - Chords and Harmony
4:06

10. First Impresssions - Performance
4:06

11. First Impresssions - Introduction and Analysis
3:30
Lesson transcript
Pentatonic Minor Workout
So, here's a pentatonic minor workout. I'm using my minor seventh chord workout backing track, and I'm just going to play the pentatonic pattern in quavers, so you can hear how it sounds in the minor seven context.
Count:
1, 2, 1, 2, 3, 4.
You've got lots of time on each chord to explore your pentatonic patterns and your Dorian melodies, as well as some of the licks that we've looked at. This is your chance to start finding your voice over these chords.
Key Points:
- Jump In: The secret is really to dive in and explore these sounds.
- Starting Point: Use the ideas I've given you as a starting point, but by no means are they definitive.
Now, here's a 16-bar solo on G minor. I'm going to incorporate some of the Dorian sounds that I've introduced you to, along with some pentatonic phrases. I'll aim to create an interesting solo for 16 bars using minor pentatonics and minor seventh sounds.
Count again:
1, 2, 1, sa.
51 lessons
2h 9m of structured video lessons
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Meet your guru

Meet your guru
Since graduating from the Leeds College of Music (BA Hons) and the Guildhall School of Music (Post Graduate Diploma in Performance), Ollie has built a busy and varied career in music. As a saxophonist he has performed in live and studio settings with artists as diverse as Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, the London Jazz Orchestra, the Hackney Colliery Band, the Ambient Jazz Ensemble and the Nelson Riddle Orchestra. He is also the co-leader of the jazz quartet 'Time Is Of The Essence', and composes and arranges material for this and other ensembles.
Ollie is active in music education, currently as course leader for the jazz department at the Guildhall School of Music and Drama (junior school), where he runs jazz ensembles, big band and theory classes. He has written a series of 'Exploring Jazz' books for Schott Music that are published worldwide and feature on exam syllabuses in the UK. Ollie has also run workshops for Oxford University, Pro Corda Strings and BABSWE, as well as the Guildhall School of Music summer schools.
In his Exploring Jazz Saxophone courses, Ollie takes you from getting started right through to soloing confidently over songs and chord sequences, building the improvising skills that put a real jazz player's vocabulary at your fingertips.

































