Junco Partner Ending
Lesson time: (10min 14sec)
The ending extends the form, with run down ending in the relative minor Em, over a bassline in tenths.
Course preview
This lesson is part of the course Play Authentic New Orleans Piano
Watch a preview of the full course below.
Lesson transcript:
Lesson Recap: Exploring Extended Endings
In this lesson, we explored how to creatively end a piece of music rather than using a straightforward conclusion. Here's a breakdown of the concepts we discussed:
Ending the Demonstration
I decided to end with a few different chords instead of a classic straight ending. I opted to transition into the relative minor, E minor, as it's the relative minor of G, which is our key.
Chord Progression Exploration
Here's the progression we used:
- C# half diminished
- C minor
- G or B minor 7
- Bb diminished
- A7
- D7
- B7 over D#
- E minor
Left Hand Technique
In the left hand, I was focusing on:
- Playing it in tenths (or possibly not using tenths initially).
- Adding the seventh where suitable.
- Keeping those anticipations going through to A minor.
Right Hand Technique
For the right hand:
- I frequently used the note G, a common tone across the chords.
- This forms part of the 2-5-1 progression that is prevalent in jazz.
Example of 2-5-1 Progression
We examined the following:
- From E minor: D minor to G7
- Keeping the root on D, changing the middle note from A to B, with the A# incorporated.
- Transitioning back to G via F offers a nice sound:
- G → E7 → D7
Incorporating the sliding down technique from the major seventh to the dominant seventh adds texture.
Rhythmic Variations
At the end of the tune, we discussed a rhythm commonly used by artists like James Booker. This includes the well-known Woody Woodpecker quote to finish the piece.
Inspiration from Dr. John
It's worth noting that:
- Extended endings, while not exclusively a New Orleans practice, are beautifully executed by musicians like Dr. John.
- Great examples can be heard in his version of Cold Shot and Such a Night.
Key Takeaways
- Explore: Feel free to experiment with different keys and chord sequences.
- Funky Flow: Remember, this music is about groove; it has to be flowing and funky.
New Orleans music is rich in funk, and as the saying goes: "It don't mean a thing if it ain't got that swing."
This recap encapsulates the core of our lesson while ensuring it's clear and engaging for online readers.
About the instructor

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'. He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club. His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album. "I love it... there's a guy who can really play the piano" - Dave Brubeck "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce "The best blues piano player in Europe..." - Blues Access, USA "Impressive & original" - The Times "Dazzling" - The Independent Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business. read more




