Lesson 11 of 40PianoIntermediate

Junco Partner Ending

10:14

The ending extends the form, with run down ending in the relative minor Em, over a bassline in tenths.

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40 lessons (2h 57m) · 1 free
    • 01. Overview

      1:09

    • 02. Performance

      3:02

    • 03. Feel

      3:11

    • 04. Left hand

      11:46

    • 05. Right hand language

      10:17

    • 06. Right hand Rolls

      5:53

    • 07. More right hand language

      4:28

    • 08. Junco Partner Ending

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      10:14

Lesson transcript

Lesson Recap: Exploring Extended Endings

In this lesson, we explored how to creatively end a piece of music rather than using a straightforward conclusion. Here's a breakdown of the concepts we discussed:

Ending the Demonstration

I decided to end with a few different chords instead of a classic straight ending. I opted to transition into the relative minor, E minor, as it's the relative minor of G, which is our key.

Chord Progression Exploration

Here's the progression we used:

  • C# half diminished
  • C minor
  • G or B minor 7
  • Bb diminished
  • A7
  • D7
  • B7 over D#
  • E minor

Left Hand Technique

In the left hand, I was focusing on:

  • Playing it in tenths (or possibly not using tenths initially).
  • Adding the seventh where suitable.
  • Keeping those anticipations going through to A minor.

Right Hand Technique

For the right hand:

  • I frequently used the note G, a common tone across the chords.
  • This forms part of the 2-5-1 progression that is prevalent in jazz.

Example of 2-5-1 Progression

We examined the following:

  • From E minor: D minor to G7
  • Keeping the root on D, changing the middle note from A to B, with the A# incorporated.
  • Transitioning back to G via F offers a nice sound:
    • G → E7 → D7

Incorporating the sliding down technique from the major seventh to the dominant seventh adds texture.

Rhythmic Variations

At the end of the tune, we discussed a rhythm commonly used by artists like James Booker. This includes the well-known Woody Woodpecker quote to finish the piece.

Inspiration from Dr. John

It's worth noting that:

  • Extended endings, while not exclusively a New Orleans practice, are beautifully executed by musicians like Dr. John.
  • Great examples can be heard in his version of Cold Shot and Such a Night.

Key Takeaways

  • Explore: Feel free to experiment with different keys and chord sequences.
  • Funky Flow: Remember, this music is about groove; it has to be flowing and funky.

New Orleans music is rich in funk, and as the saying goes: "It don't mean a thing if it ain't got that swing."


This recap encapsulates the core of our lesson while ensuring it's clear and engaging for online readers.

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Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

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