Lesson 4 of 14Music ProductionIntermediate

Recording audio: setup & levels

6:21

Set up to record audio in Ableton Live - arming a track, checking your levels, and the key Preferences to get right before you hit record.

Part of the courseCreative Composition & Production in Ableton Live14 lessons (1h 38m)

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John WatsonYour guruJohn Watson

What's in the course

14 lessons (1h 38m) · 2 free
    • 01. Getting started & gear setup

      11:07

    • 02. Generating ideas with MIDI - intro to MIDI

      Free lesson

      6:12

    • 03. Recording a simple rhythm guide track

      7:41

    • 04. Recording audio: setup & levels

      You are here

      6:21

    • 05. Recording audio

      6:25

    • 06. Using an external instrument

      3:27

    • 07. Creating the bassline

      11:05

    • 08. Adding one more rhythm part

      2:50

    • 09. Premixing & session view

      9:59

    • 10. Song structure & arrange view

      8:47

    • 11. Mixing EQ and compression

      7:37

    • 12. Spatial effects

      4:04

    • 13. Modulation effects

      5:26

    • 14. BONUS: Creating a bassline with Doepfer Dark Energy II

      Free lesson

      7:26

Lesson transcript

Music Lesson: Recording and Quantizing MIDI Tracks


So, I've got my basic guide track done. Let's unplug. I'm going to go back into the MicroKorg here and have a little jam to see if I can come up with something new.

Adjusting MIDI Settings

  • First, I need to make a few adjustments in my MIDI device:
    • Click on the MIDI track.
    • Lower the spread, maybe take that off for the moment.

Working with Chords

  • I have a four-note chord, but I might actually shrink this down to a three-note chord just for now:
    • This will help me generate the first set of ideas.
    • I want to build up from the bottom up.

"When you arm a track to record into, your little stop button turns into a record button."

  • I'm giving myself free rein regarding the length of my recording:
    • Not limited to four or eight bars.
    • I'll record until I find a section that works musically.

Recording Process

  • I'm going to click the record button now.

"The first section I liked a little bit more than the second, I think."

  • My MIDI notes are in there; that is the main thing.

Quantizing Notes

  • Next, I will quantize these notes to align them with their grid positions:
    • Press Command + A on the keyboard to select all notes.
    • Then press Command + U to move them onto their grid positions.

"When dealing with quantize here, essentially, I want to make sure that some of the notes align properly; otherwise, it's going to sound a little bit weird."

  • Let's also turn down the volume a bit.

Creating a Contrasting Motif

  • I've laid down that little motif, and I think I'll create a second one to contrast the first:

    • This will also help with the structure.
  • Now, I'll duplicate the scene:

    • This gives me one of each, and I'll delete the set of chords in the new scene.
  • On the first scene, this will play what I just recorded.

  • The second scene currently has only the beat, so I need to record another part:

    • I'll hit record and have another jam, similar to earlier.

Final Steps

  • My intention is that this will complement the first MIDI part:
    • I'll again select my notes using Command + A and quantize them.

"This way, they lock to the grid, and it's going to sound a little smoother."


Use these tips to enhance your MIDI recording process for better sound clarity and musical structure!

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Meet your guru

John Watson

John Watson

After work experience with Depeche Mode and The Cure producer Dave Allen, John was inspired to study Music Technology in London. His music career took off after a successful signing to CookShop Records, releasing 9 singles and an album in 2007 that received rave reviews from Q, Uncut and Lowdown Magazine, plus radio play from XFM and Radio One.

John began training as an audio engineer at Bonafide studio in 2005, where he refined his talents, and later that year set up Jackdaw Recordings. He has collaborated with many successful artists, and in 2007 began playing for pop musician Patrick Wolf, performing at leading venues here in the UK and internationally - including The Astoria and Shepherds Bush Empire.

Based in his London studio, John now writes music, with two more releases on CookShop, does sound engineering for prominent artists, and creates sound design for TV ads, film, theatre and corporate video.

That rare mix of songwriter, producer and working studio engineer is exactly what John brings to his teaching. In Creative Composition & Production in Ableton Live and Creative Sampling & Production in Ableton Live, he shows you how he turns raw ideas into finished, release-ready tracks - the writing, the sampling, the sound design and the hands-on engineering know-how behind a professional record.

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