Lesson 10 of 14Music ProductionIntermediate

Song structure & arrange view

8:47

How to arrange your recorded clips into a three-to-four-minute song in Ableton's Arrange View, and automate levels for a clear structure.

Part of the courseCreative Composition & Production in Ableton Live14 lessons (1h 38m)

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John WatsonYour guruJohn Watson

What's in the course

14 lessons (1h 38m) · 2 free
    • 01. Getting started & gear setup

      11:07

    • 02. Generating ideas with MIDI - intro to MIDI

      Free lesson

      6:12

    • 03. Recording a simple rhythm guide track

      7:41

    • 04. Recording audio: setup & levels

      6:21

    • 05. Recording audio

      6:25

    • 06. Using an external instrument

      3:27

    • 07. Creating the bassline

      11:05

    • 08. Adding one more rhythm part

      2:50

    • 09. Premixing & session view

      9:59

    • 10. Song structure & arrange view

      You are here

      8:47

    • 11. Mixing EQ and compression

      7:37

    • 12. Spatial effects

      4:04

    • 13. Modulation effects

      5:26

    • 14. BONUS: Creating a bassline with Doepfer Dark Energy II

      Free lesson

      7:26

Lesson transcript

Music Lesson: Creating a Cohesive Arrangement

Moving to Record or Range View

So, the next stage is to actually move over into what we call Record or Range View.

  1. Double Click the Stop Button
    This ensures that none of these clips are able to play.

  2. Start Recording

    • Go up to the first scene and click Record.
    • Start triggering the scenes.
    • Get rid of the metronome as it's not needed right now.

Live Recording and Adjustments

In Section 2:

  • As you can see, by launching these scenes, if I press Tab on my keyboard, you can see that it's actually recording these scenes as I'm generating them into this arrangement.
  • A lot of the work is done for you.

Structure Review

My structure is now here, and I'm fairly happy with it. However, there are a few adjustments I'd like to make:

  • Trim the Ending
    The ending feels like it goes on for a little bit. I'd like to trim this back a touch.

  • Adjust the Bass
    With the bass, I'm just going to pull out its original length. I recorded just half the bass and then repeated that half. I actually just want the full thing.

  • Linking Sections
    These two sections don't necessarily link particularly well, so I think I will drop a little section of the audio here and maybe drop the first kick as well.

Volume Fades for Smooth Transitions

To help with introducing elements rather than having them come in at full volume one at a time, I'll do little volume fades:

  • I've put the claps back in.
  • When the percussion comes in, let's add a little volume fade.

Creating a Volume Fade

  1. Select the Track
    Click in the track where the little red line represents the volume automation.

  2. Adjust Volume

    • Click before it and pull the volume down.
    • This creates a nice little fade-in for the percussion layer over time.
  3. Fade at the End
    I'll do the same at the end of the track, pulling down the percussion and likely the bass too.

Working with Clips

One way to create fades is to:

  • Grab a clip, right-click, and select Show Fades.
  • Pull in a little fade.

Joining Sections Smoothly

To connect different sections, especially during a key change or verse-chorus structure:

  • Manipulate the Audio
    Cut some of the audio just before the new section comes in.

  • Reverse Audio for Effects
    For instance, in the section we jump back to, I will double-click it and then reverse the audio. This creates a nice little drum fill with the drums going backwards for a moment.

Final Steps

I think I'm pretty happy now in terms of the structure. The next thing to do is to start adding effects, mixing it, and making it sound more cohesive as one piece.

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Meet your guru

John Watson

John Watson

After work experience with Depeche Mode and The Cure producer Dave Allen, John was inspired to study Music Technology in London. His music career took off after a successful signing to CookShop Records, releasing 9 singles and an album in 2007 that received rave reviews from Q, Uncut and Lowdown Magazine, plus radio play from XFM and Radio One.

John began training as an audio engineer at Bonafide studio in 2005, where he refined his talents, and later that year set up Jackdaw Recordings. He has collaborated with many successful artists, and in 2007 began playing for pop musician Patrick Wolf, performing at leading venues here in the UK and internationally - including The Astoria and Shepherds Bush Empire.

Based in his London studio, John now writes music, with two more releases on CookShop, does sound engineering for prominent artists, and creates sound design for TV ads, film, theatre and corporate video.

That rare mix of songwriter, producer and working studio engineer is exactly what John brings to his teaching. In Creative Composition & Production in Ableton Live and Creative Sampling & Production in Ableton Live, he shows you how he turns raw ideas into finished, release-ready tracks - the writing, the sampling, the sound design and the hands-on engineering know-how behind a professional record.

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