Utiliser un instrument externe
Lesson time: (3min 27sec)
Course preview
This lesson is part of the course Composition et production créatives dans Ableton Live
Watch a preview of the full course below.
Lesson transcript:
Adding Excitement with Drums
Okay, the next thing to do is to add another drum layer. I feel it's getting a little bit dull, so I need to introduce some more excitement in terms of the drums.
Loading a New Pattern
I'm going to load up a different pattern here. These are patterns that I've pre-programmed already, which is a whole subject in itself. I'll move on to something that I've stored here on C41.
Input Adjustments
Since I've only got the two inputs on my sound card, I need to swap these inputs over. I'm going to come into the outputs here and play a little pattern. This new pattern has more of a "bossanova" feel to it.
Matching Tempos
Now, how can I make this work with this track?
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Match the Tempo:
- I'll set the tempo to 123. That's perfect.
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Consider Existing Beats:
- I've already recorded a beat with the kick drum, so I'll probably omit the kick drum from this new beat. Otherwise, it's going to sound too heavy on the bass frequencies.
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Adjusting Volume:
- I'll use the volume control, click on the drum sound, and turn its volume down.
- This way, I've got something much more light and breezy that can work on top of our track.
Integration
If I come over to what we've set up already, I feel that this works quite nicely. So, I'm going to pop that in.
Duplicating the Drum Track
What I'm going to do here now is very easily:
- Right-click and duplicate my drum track.
- This means it will have the same settings.
- Delete the clips that I made earlier since I don't need them at all.
Recording the New Patterns
Now I can just arm this track and record these patterns.
- Same procedure again: click Record and then Play.
That's probably going to be enough there. I'll double-click like so and set my loop brace around those two points.
Listening to the Result
Let's have a listen.
So far, that's working pretty well at the moment!
About the instructor

Après un stage auprès de Dave Allen, producteur de Depeche Mode et The Cure, John a eu envie d'étudier la Music Technology à Londres. Sa carrière musicale a décollé après une signature réussie chez CookShop Records, où il a sorti 9 singles et un album en 2007 salué par Q, Uncut et Lowdown Magazine, en plus d'être diffusé sur XFM et Radio One. John a commencé à se former comme ingénieur du son au studio Bonafide en 2005, où il a affiné son talent, avant de fonder Jackdaw Recordings plus tard la même année. Il a collaboré avec de nombreux artistes à succès et, en 2007, a commencé à jouer pour le musicien pop Patrick Wolf, se produisant dans des salles de premier plan au Royaume-Uni et à l'international — dont The Astoria et le Shepherds Bush Empire. Depuis son studio londonien, John compose désormais de la musique, avec deux autres sorties chez CookShop, assure l'ingénierie du son pour des artistes en vue et conçoit le design sonore de publicités télévisées, de films, de pièces de théâtre et de vidéos d'entreprise. Ce mélange rare d'auteur-compositeur, de producteur et d'ingénieur de studio en activité est précisément ce que John apporte à son enseignement. Dans Creative Composition & Production in Ableton Live et Creative Sampling & Production in Ableton Live, il te montre comment il transforme des idées brutes en morceaux finis, prêts à sortir — l'écriture, le sampling, le design sonore et le savoir-faire concret de l'ingénierie derrière un disque professionnel. read more




