Structure du morceau et vue Arrangement

John Watson
John Watson

Lesson time: (8min 47sec)

Comment organiser tes clips enregistrés en un morceau de trois à quatre minutes dans la vue Arrangement d'Ableton, et automatiser les niveaux pour une structure claire.

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This lesson is part of the course Composition et production créatives dans Ableton Live
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Lesson transcript:

Music Lesson: Creating a Cohesive Arrangement

Moving to Record or Range View

So, the next stage is to actually move over into what we call Record or Range View.

  1. Double Click the Stop Button
    This ensures that none of these clips are able to play.

  2. Start Recording

    • Go up to the first scene and click Record.
    • Start triggering the scenes.
    • Get rid of the metronome as it's not needed right now.

Live Recording and Adjustments

In Section 2:

  • As you can see, by launching these scenes, if I press Tab on my keyboard, you can see that it's actually recording these scenes as I'm generating them into this arrangement.
  • A lot of the work is done for you.

Structure Review

My structure is now here, and I'm fairly happy with it. However, there are a few adjustments I'd like to make:

  • Trim the Ending
    The ending feels like it goes on for a little bit. I'd like to trim this back a touch.

  • Adjust the Bass
    With the bass, I'm just going to pull out its original length. I recorded just half the bass and then repeated that half. I actually just want the full thing.

  • Linking Sections
    These two sections don't necessarily link particularly well, so I think I will drop a little section of the audio here and maybe drop the first kick as well.

Volume Fades for Smooth Transitions

To help with introducing elements rather than having them come in at full volume one at a time, I'll do little volume fades:

  • I've put the claps back in.
  • When the percussion comes in, let's add a little volume fade.

Creating a Volume Fade

  1. Select the Track
    Click in the track where the little red line represents the volume automation.

  2. Adjust Volume

    • Click before it and pull the volume down.
    • This creates a nice little fade-in for the percussion layer over time.
  3. Fade at the End
    I'll do the same at the end of the track, pulling down the percussion and likely the bass too.

Working with Clips

One way to create fades is to:

  • Grab a clip, right-click, and select Show Fades.
  • Pull in a little fade.

Joining Sections Smoothly

To connect different sections, especially during a key change or verse-chorus structure:

  • Manipulate the Audio
    Cut some of the audio just before the new section comes in.

  • Reverse Audio for Effects
    For instance, in the section we jump back to, I will double-click it and then reverse the audio. This creates a nice little drum fill with the drums going backwards for a moment.

Final Steps

I think I'm pretty happy now in terms of the structure. The next thing to do is to start adding effects, mixing it, and making it sound more cohesive as one piece.

About the instructor

John Watson
John Watson

Après un stage auprès de Dave Allen, producteur de Depeche Mode et The Cure, John a eu envie d'étudier la Music Technology à Londres. Sa carrière musicale a décollé après une signature réussie chez CookShop Records, où il a sorti 9 singles et un album en 2007 salué par Q, Uncut et Lowdown Magazine, en plus d'être diffusé sur XFM et Radio One. John a commencé à se former comme ingénieur du son au studio Bonafide en 2005, où il a affiné son talent, avant de fonder Jackdaw Recordings plus tard la même année. Il a collaboré avec de nombreux artistes à succès et, en 2007, a commencé à jouer pour le musicien pop Patrick Wolf, se produisant dans des salles de premier plan au Royaume-Uni et à l'international — dont The Astoria et le Shepherds Bush Empire. Depuis son studio londonien, John compose désormais de la musique, avec deux autres sorties chez CookShop, assure l'ingénierie du son pour des artistes en vue et conçoit le design sonore de publicités télévisées, de films, de pièces de théâtre et de vidéos d'entreprise. Ce mélange rare d'auteur-compositeur, de producteur et d'ingénieur de studio en activité est précisément ce que John apporte à son enseignement. Dans Creative Composition & Production in Ableton Live et Creative Sampling & Production in Ableton Live, il te montre comment il transforme des idées brutes en morceaux finis, prêts à sortir — l'écriture, le sampling, le design sonore et le savoir-faire concret de l'ingénierie derrière un disque professionnel. read more

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