Choisir une setlist

Katie Melua
Katie Melua

Lesson time: (2min 18sec)

Imogen explique comment elle décide de ce qu'elle joue en concert, en construisant une setlist à partir d'un catalogue grandissant d'albums solo et de collaborations avec des groupes.

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This lesson is part of the course Deviens musicien professionnel
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Lesson transcript:

Touring and Song Selection: A Musical Journey

When I first started touring, I didn't have much to work with.
I only had one record, so I just played that record. Then, when I made another record, I had two records.

  • New Collaborations:
    When I made my second record, I was with a band called Frou Frou. We just played that record.

  • The Growing Collection:
    With my third record, I then had:

    • One solo record
    • A Frou Frou record
    • My third record

At this point, I thought, "Oh, God, I've got all this stuff. How do I decide what to play?"

Finding the Right Balance

It felt kind of awkward throughout the tour, especially when I could sense the audience's reactions. Sometimes, you'd feel a slump, like "Oh, they didn't want to hear that one," or joy when they exclaimed, "Yay, we love this song."

  • Feedback from the Audience:
    By the end of the tour, I figured out which songs got the "yay" response. However, it's also important to play songs that make you happy, because that's your show too!

Polling for Favorites

As I found it possible to crowdsource this information about what people like to hear on tour, I began doing polls.

  • The Process:
    • I provide a list of a hundred songs and ask fans to tell me their favorites.
    • Then, I play the top songs in each city.

But I also make sure to play half of what I want to play.

  • Song Breakdown:
    • Typically, I end up playing around 20 songs:
      • 10 songs they voted for
      • 5 songs I choose for myself

Interestingly, the song choices vary from city to city and around the world.

Global Influences

  • For example, one song might have been featured in a Cornetto advert in Italy, while another might have appeared in The OC in the States but didn't reach China.
  • A particular song may have been a hit in China because of a collaboration I did there.

Engaging the Fanbase

Using these tools that fans help build, or building your own, allows for great involvement.

  • Setting the Stage:
    At the start of the concert, I often say:
    "You had the opportunity to vote, and if you didn't vote, then this is entirely your fault that I'm not playing the songs you wanted! I've done my best to be democratic about it, and this is what it's going to be."

This usually gets a good laugh, and everyone enjoys the experience!

About the instructor

Katie Melua
Katie Melua

Katie Melua est l'une des artistes les plus populaires du Royaume-Uni, avec plus de 11 millions d'albums vendus dans le monde et une série de disques multi-platine. Née Ketevan Melua à Koutaïssi (Géorgie) en 1984, elle s'installe enfant à Belfast avec sa famille, puis étudie à la BRIT School de Londres, où elle est découverte par l'auteur-compositeur et producteur Mike Batt. Son premier album, 'Call Off the Search' (2003), sorti alors qu'elle n'a que 19 ans, reste six semaines en tête des ventes au Royaume-Uni et est certifié six fois platine, porté par le tube 'The Closest Thing to Crazy'. Son successeur, 'Piece by Piece' (2005), domine les classements à travers l'Europe et contient sa chanson emblématique 'Nine Million Bicycles'. En 2006, elle entre dans le livre Guinness des records en donnant le concert sous-marin le plus profond jamais organisé, à 303 mètres sous le niveau de la mer, sur une plateforme gazière de la mer du Nord. Suit une remarquable série d'albums classés dans le top 10 — 'Pictures' (2007), 'The House' (2010, produit par William Orbit), 'Secret Symphony' (2012) et 'Ketevan' (2013) — au fil desquels Melua affine un son qui navigue avec aisance entre jazz, folk et grande tradition pop. 'In Winter' (2016), enregistré en Géorgie avec le Gori Women's Choir et produit par ses soins, révèle une nouvelle profondeur dans son art. Ses œuvres récentes sont ses plus personnelles : 'Album No. 8' (2020) et 'Love & Money' (2023) ont reçu parmi les meilleures critiques de sa carrière, et 'Live at the Royal Albert Hall' (2024) célèbre deux décennies au sommet de la musique britannique. Elle reste une interprète captivante sur scène, en tournée constante en Europe et au-delà. read more

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40 lessons (2h 33m)
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