El mundo del Sync
Lesson time: (8min 23sec)
Jay Mistry explica el sync, la unión comercial de la música con la imagen en movimiento, cómo funcionan las licencias y qué papel juegan MCPS y la música de librería.
Course preview
This lesson is part of the course Una guía sobre edición musical y sincronización
Watch a preview of the full course below.
Lesson transcript:
Understanding Sync and Licensing in Music
Definition of Sync
Synchronization, or sync, is essentially the commercial marriage of music to moving images.
Licensing Explained
Licensing, on the other hand, encompasses various scenarios:
- Within a record company: Licensing a song for a compilation.
- TV programs or films: The use of a song in different media.
In essence, licensing is the legal process you go through to allow someone to use your music in another context.
Commercial and Ethical Considerations
When discussing sync, we also need to consider:
- Commercial considerations: How your music will be used and associated.
- Ethical considerations: Some artists may have specific brands they prefer not to be associated with.
Quote: "In publishing contracts, you often find clauses that allow you to specify certain brands you don't want to sync your music with."
Syncing and Library Music
Differences Between Commercial Tracks and Library Music
- Commercial tracks are existing recordings licensed for use in various projects.
- Library music is specially composed for TV, film, or media, making it readily available for sync.
Instrumental vs. Vocal Music
What Percentage is Synced?
- Approximately 80% of synced music is instrumental.
- About 20% is vocal.
Typically, themes in media may include vocals for interest, but background music, especially during dialogue, tends to be instrumental to avoid distraction.
Composing for the Sync Market
Getting Started
To showcase your work in the sync market:
- Research briefs: Some websites offer opportunities to submit compositions.
- Write to existing footage: Use film or trailer clips to create original music without listening to existing scores.
Tip: Always credit your work appropriately, and if you showcase music and visuals together, ensure you have permission if you intend to monetize it.
Collaboration with Film Schools
Reaching out to film schools is a great way to find opportunities:
- Team up with students working on short films to create original scores.
Balance Between MCPS and Library Music
Understanding Royalties
In the UK:
- Joining MCPS (Mechanical-Copyright Protection Society) provides access to a network of broadcasters.
- If you're part of MCPS, you're bound by their rate card, which means you cannot negotiate your own rates.
Criteria for Being a Library:
- Typically requires a minimum of around 30 tracks.
Publishers and Libraries
An individual can function as a library by joining as a publisher, but:
- Being a non-MCPS member allows you to negotiate your fees directly with networks, though it may require significant effort.
Broadcaster Preferences
From a broadcaster's perspective:
- They tend to prefer MCPS libraries due to the streamlined negotiation process and the efficiency it offers in selecting music.
Closing Thought: It ultimately hinges on the desirability of your music. If it's in high demand, broader negotiations may take place, but MCPS offers a simpler solution for many broadcasters.
About the instructor

Jay Mistry es un veterano de la industria musical con 30 años de trayectoria y domina la mayoría de los aspectos del negocio de la música. Jay comenzó su carrera en la Performing Right Society antes de incorporarse a BMG Music Publishing, donde se le pidió que montara el departamento de seguimiento de ingresos desde cero. En 2003 constituyó Musical Sleuth Ltd, el primer servicio independiente de seguimiento de royalties de su clase, que tuvo entre sus clientes a Eric Clapton y The Beatles. Tras dominar las complejidades del copyright y los royalties, se pidió a Jay que se convirtiera en Director of Music Services en The Discovery Channel en 2009. Su éxito en Discovery llevó a los emprendedores neoyorquinos Jingle Punks a incorporarlo para montar y estabilizar su operación de edición en EE. UU. mientras construían su red global de recaudación. Jay asesora actualmente a una variedad de compositores de alto nivel, bibliotecas musicales, productores de cine, editoriales y plataformas tecnológicas. En A Guide To Music Publishing And Synchronization, Jay destila tres décadas desde dentro del negocio en una orientación clara y práctica, mostrándote cómo funcionan realmente la edición, el copyright, los royalties y los acuerdos de sync, y cómo hacer que trabajen a tu favor. read more




