Usar un instrumento externo

John Watson
John Watson

Lesson time: (3min 27sec)

Lesson transcript:

Adding Excitement with Drums

Okay, the next thing to do is to add another drum layer. I feel it's getting a little bit dull, so I need to introduce some more excitement in terms of the drums.

Loading a New Pattern

I'm going to load up a different pattern here. These are patterns that I've pre-programmed already, which is a whole subject in itself. I'll move on to something that I've stored here on C41.

Input Adjustments

Since I've only got the two inputs on my sound card, I need to swap these inputs over. I'm going to come into the outputs here and play a little pattern. This new pattern has more of a "bossanova" feel to it.

Matching Tempos

Now, how can I make this work with this track?

  1. Match the Tempo:

    • I'll set the tempo to 123. That's perfect.
  2. Consider Existing Beats:

    • I've already recorded a beat with the kick drum, so I'll probably omit the kick drum from this new beat. Otherwise, it's going to sound too heavy on the bass frequencies.
  3. Adjusting Volume:

    • I'll use the volume control, click on the drum sound, and turn its volume down.
    • This way, I've got something much more light and breezy that can work on top of our track.

Integration

If I come over to what we've set up already, I feel that this works quite nicely. So, I'm going to pop that in.

Duplicating the Drum Track

What I'm going to do here now is very easily:

  • Right-click and duplicate my drum track.
    • This means it will have the same settings.
  • Delete the clips that I made earlier since I don't need them at all.

Recording the New Patterns

Now I can just arm this track and record these patterns.

  • Same procedure again: click Record and then Play.

That's probably going to be enough there. I'll double-click like so and set my loop brace around those two points.

Listening to the Result

Let's have a listen.

So far, that's working pretty well at the moment!

About the instructor

John Watson
John Watson

Tras hacer prácticas con Dave Allen, productor de Depeche Mode y The Cure, John se sintió inspirado para estudiar Tecnología Musical en Londres. Su carrera musical despegó tras un exitoso fichaje por CookShop Records, con el que publicó 9 sencillos y un álbum en 2007 que recibió críticas entusiastas de Q, Uncut y Lowdown Magazine, además de sonar en XFM y Radio One. John empezó a formarse como ingeniero de sonido en el estudio Bonafide en 2005, donde perfeccionó su talento, y ese mismo año fundó Jackdaw Recordings. Ha colaborado con numerosos artistas de éxito y, en 2007, comenzó a tocar para el músico pop Patrick Wolf, actuando en salas de primer nivel tanto en el Reino Unido como a nivel internacional, incluidos The Astoria y el Shepherds Bush Empire. Desde su estudio londinense, John ahora compone música, con dos lanzamientos más en CookShop, se ocupa de la ingeniería de sonido para artistas destacados y crea diseño sonoro para anuncios de televisión, cine, teatro y vídeo corporativo. Esa infrecuente combinación de compositor, productor e ingeniero de estudio en activo es justo lo que John aporta a su enseñanza. En Creative Composition & Production in Ableton Live y Creative Sampling & Production in Ableton Live, te muestra cómo transforma ideas en bruto en temas terminados y listos para publicar: la composición, el sampleo, el diseño sonoro y el saber hacer práctico de la ingeniería que hay detrás de un disco profesional. read more

What's included?

14 lessons (1h 38m)
Advanced video features
Mobile, tablet & desktop
100% satisfaction guarantee
View course info