Estructura de la canción y vista de arreglo

John Watson
John Watson

Lesson time: (8min 47sec)

Cómo organizar tus clips grabados en una canción de tres a cuatro minutos en la vista de Arreglo de Ableton, y automatizar los niveles para lograr una estructura clara.

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This lesson is part of the course Composición y producción creativas en Ableton Live
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Lesson transcript:

Music Lesson: Creating a Cohesive Arrangement

Moving to Record or Range View

So, the next stage is to actually move over into what we call Record or Range View.

  1. Double Click the Stop Button
    This ensures that none of these clips are able to play.

  2. Start Recording

    • Go up to the first scene and click Record.
    • Start triggering the scenes.
    • Get rid of the metronome as it's not needed right now.

Live Recording and Adjustments

In Section 2:

  • As you can see, by launching these scenes, if I press Tab on my keyboard, you can see that it's actually recording these scenes as I'm generating them into this arrangement.
  • A lot of the work is done for you.

Structure Review

My structure is now here, and I'm fairly happy with it. However, there are a few adjustments I'd like to make:

  • Trim the Ending
    The ending feels like it goes on for a little bit. I'd like to trim this back a touch.

  • Adjust the Bass
    With the bass, I'm just going to pull out its original length. I recorded just half the bass and then repeated that half. I actually just want the full thing.

  • Linking Sections
    These two sections don't necessarily link particularly well, so I think I will drop a little section of the audio here and maybe drop the first kick as well.

Volume Fades for Smooth Transitions

To help with introducing elements rather than having them come in at full volume one at a time, I'll do little volume fades:

  • I've put the claps back in.
  • When the percussion comes in, let's add a little volume fade.

Creating a Volume Fade

  1. Select the Track
    Click in the track where the little red line represents the volume automation.

  2. Adjust Volume

    • Click before it and pull the volume down.
    • This creates a nice little fade-in for the percussion layer over time.
  3. Fade at the End
    I'll do the same at the end of the track, pulling down the percussion and likely the bass too.

Working with Clips

One way to create fades is to:

  • Grab a clip, right-click, and select Show Fades.
  • Pull in a little fade.

Joining Sections Smoothly

To connect different sections, especially during a key change or verse-chorus structure:

  • Manipulate the Audio
    Cut some of the audio just before the new section comes in.

  • Reverse Audio for Effects
    For instance, in the section we jump back to, I will double-click it and then reverse the audio. This creates a nice little drum fill with the drums going backwards for a moment.

Final Steps

I think I'm pretty happy now in terms of the structure. The next thing to do is to start adding effects, mixing it, and making it sound more cohesive as one piece.

About the instructor

John Watson
John Watson

Tras hacer prácticas con Dave Allen, productor de Depeche Mode y The Cure, John se sintió inspirado para estudiar Tecnología Musical en Londres. Su carrera musical despegó tras un exitoso fichaje por CookShop Records, con el que publicó 9 sencillos y un álbum en 2007 que recibió críticas entusiastas de Q, Uncut y Lowdown Magazine, además de sonar en XFM y Radio One. John empezó a formarse como ingeniero de sonido en el estudio Bonafide en 2005, donde perfeccionó su talento, y ese mismo año fundó Jackdaw Recordings. Ha colaborado con numerosos artistas de éxito y, en 2007, comenzó a tocar para el músico pop Patrick Wolf, actuando en salas de primer nivel tanto en el Reino Unido como a nivel internacional, incluidos The Astoria y el Shepherds Bush Empire. Desde su estudio londinense, John ahora compone música, con dos lanzamientos más en CookShop, se ocupa de la ingeniería de sonido para artistas destacados y crea diseño sonoro para anuncios de televisión, cine, teatro y vídeo corporativo. Esa infrecuente combinación de compositor, productor e ingeniero de estudio en activo es justo lo que John aporta a su enseñanza. En Creative Composition & Production in Ableton Live y Creative Sampling & Production in Ableton Live, te muestra cómo transforma ideas en bruto en temas terminados y listos para publicar: la composición, el sampleo, el diseño sonoro y el saber hacer práctico de la ingeniería que hay detrás de un disco profesional. read more

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