Mittelteil

Music Lesson: Tchaikovsky's Middle Section Techniques

Now, the middle section ? the famous middle section ? poses a bit of a technical challenge with its well-known passages.

Repetition in the Second Section

The good news is that Tchaikovsky repeats the two bars over and over again, specifically eight times. Once you learn that one passage, you're set!

• The only difference? One passage ends on F, and the other on A.

I personally prefer the fingers from that addition and always play them as follows:

• 2, 1, 2, 3, 4
• 1, 2, 3, 5

Practicing the 16th Notes

How to practice this challenging section? Here are some tips:

• Practice Staccato:
  Start quite slow, then gradually speed it up.

• Accents:
  For practice, it's okay to accent it, but during performance, it's preferable not to. Think of it as a wind ? it's better to avoid strong accents.

• Old Practice Method:
  Using stops (every other or every four notes) can also be effective here.

Left Hand Challenges

Now, let's address the tricky left hand jumps:

• The left hand requires careful finger placement:
  Always ensure that the fifth finger is on a D.

• Chord Practice:
  Usually, you'd do four notes, either on the last chord.

Practice Steps:

1. Practice the chords without the bass to gain confidence.
2. Try with your eyes closed ? it's crucial to develop muscle memory!
3. Focus either more on the right hand or the left hand, depending on where the challenge lies.

Suggested Exercises

To further aid in mastering this section:

• Play just the lower notes:
  e.g., 4, 5, 4, 5, 4 or 4, 5, 4, 5.

• Incorporate stops and reverse the order to solidify positions.

Performance Tips

Once you've learned it, pay attention to the piano start.

Here's a Slow Tempo Example:

• I will show it to you in a medium-slow tempo, focusing on the beautiful intonation.

A Little Secret:

• When you learn it, between measures 25 and 26, you can take a small moment to gather yourself.

Transitioning into the Second Movement

Once you've mastered that, you'll continue into the second movement.

• Dynamics:
  Pay attention to mezzo forte sections which are more dramatic and require more sound.

• Key Transitions:
  You will experience a different color as we move into another key.

Important Measures to Note

• Measure 35 vs. Measure 51:
  It's essential to recognize the differences in the left hand, which contains:
  • First section: three notes
  • Second section: four notes and different three notes

Make a note of your endings:

• First Ending: Call it B1
• Second Ending: Call it B2

This distinction is important for the echo effect in music.

Recapitulation

Before repeating, Tchaikovsky wants us to adapt and read the notes carefully. The second time around brings a transition to a different key, incorporating question-and-answer phrasing.

• Final Suggestion:
  Two measures before the recapitulation: take all chords into the left hand, leaving the right hand with only the melody.

Remember, this reflects Tchaikovsky's original writing style in measure 59, which is the same text as measure 1. We've come full circle!