Einen Plattenvertrag bekommen

Katie Melua
Katie Melua

Lesson time: (2min 54sec)

Chris Cooke von Complete Music Update erklärt, warum man heute mehr tun muss, um einen Plattenvertrag zu bekommen, da Labels warten, bis ein Künstler etablierter ist, bevor sie investieren.

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Lesson transcript:

The Evolving Landscape of the Music Industry

Chances are you'll have a manager and an agent before a label. However, the record company is often the first business to invest a serious amount of money in you, your career, and your business as an artist.

Current Industry Trends

Generally, labels are signing artists later than they used to. They are looking for artists who:

  • Can play in bigger venues
  • Have a larger fan base

In the 90s, a bit of buzz, great songs, and a couple of energetic performances might have been enough to secure investment from a label.

Expectations from Labels Today

Now, labels are looking for more. While the A&R might want to sign you based on your songs and performance, within the record company, especially larger ones, there will be people in business affairs asking key questions, such as:

  • How many fans do you have?
  • How many records can you sell?
  • How many tickets can you shift?

You need to do more of that.

The Financial Climate of Record Labels

This shift is partly due to the fact that labels have less money; recorded music generates less revenue than it did in the past. Record companies predominantly secure their investment by selling records.

Because they sell fewer records, make less money, and have less profit, they are investing more wisely. Consequently, they are looking for artists to do more work themselves.

The Impact of the Internet

However, artists today can do things that were not possible in the 90s. Even before the rise of the World Wide Web, labels faced financial troubles but couldn't expect artists to distribute their content easily.

  • Pressing CDs was expensive.
  • Getting CDs into record shops was difficult.
  • Gigging required local venue knowledge, and promoting gigs outside of your hometown was challenging.

You could only expect artists to manage so much, often relying on basic tools like photocopiers at local libraries.

The Dual Nature of Current Music Industry Expectations

So, this change in expectations is twofold:

  1. Cautious Label Investment: Labels are more careful with their money and tend to invest later.

  2. Increased Artist Independence: Artists can now do more on their own, which also leads to the expectation that they will.

While this increase in responsibility can feel like more work, creating a downside, the upside is that when artists start to negotiate initial deals, they are often further along in their journey.

Advantages for New Artists

This means you gain a stronger negotiating position.

However, it doesn't necessarily guarantee:

  • More money
  • Ownership of your copyright

These are the things that managers and seasoned artists often stress artists should focus on.

Building Your Fan Base

Nevertheless, artists will likely have a clearer idea of their fan base and already established social media presence, allowing for more ongoing conversations.

This connection provides artists with:

  • Greater control even once a label and other business partners come on board
  • An opportunity to have more influence over the business side of their work

If you're an entrepreneurial artist, having greater control can be incredibly exciting.

Conclusion

In conclusion, if you are an entrepreneurial artist, this is arguably the best time to be a new act in the music industry.

About the instructor

Katie Melua
Katie Melua

Katie Melua zählt zu den erfolgreichsten Künstlerinnen Großbritanniens – mit über 11 Millionen verkauften Alben weltweit und einer Reihe von Multi-Platin-Veröffentlichungen. Geboren 1984 als Ketevan Melua im georgischen Kutaissi, zog sie als Kind mit ihrer Familie nach Belfast und studierte später an der BRIT School in London, wo sie vom Songwriter und Produzenten Mike Batt entdeckt wurde. Ihr Debütalbum 'Call Off the Search' (2003), veröffentlicht mit 19 Jahren, stand sechs Wochen auf Platz 1 der britischen Charts und wurde mit Sechsfach-Platin ausgezeichnet – angetrieben von der Hitsingle 'The Closest Thing to Crazy'. Der Nachfolger 'Piece by Piece' (2005) führte europaweit die Charts an und enthielt ihren bekanntesten Song 'Nine Million Bicycles'. 2006 schaffte sie es ins Guinness-Buch der Rekorde: mit dem tiefsten Unterwasserkonzert aller Zeiten, 303 Meter unter dem Meeresspiegel auf einer Gasplattform in der Nordsee. Es folgte eine beeindruckende Serie von Top-Ten-Alben – 'Pictures' (2007), das von William Orbit produzierte 'The House' (2010), 'Secret Symphony' (2012) und 'Ketevan' (2013) –, in denen Melua einen Sound verfeinerte, der sich mühelos zwischen Jazz, Folk und klassischem Pop-Songwriting bewegt. 'In Winter' (2016), aufgenommen in Georgien mit dem Gori Women's Choir und von ihr selbst produziert, offenbarte eine neue Tiefe ihres Könnens. Ihre jüngsten Werke sind ihre persönlichsten: 'Album No. 8' (2020) und 'Love & Money' (2023) erhielten einige der besten Kritiken ihrer Karriere, und 'Live at the Royal Albert Hall' (2024) feierte zwei Jahrzehnte an der Spitze der britischen Musik. Live bleibt sie eine fesselnde Künstlerin, die regelmäßig in Europa und darüber hinaus auf Tour ist. read more

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