Selbermachen – DIY und darüber hinaus

Katie Melua
Katie Melua

Lesson time: (4min 8sec)

Warum DIY nicht bedeutet, alles allein zu machen, und wie es Manager und Agenten aufmerksam macht, wenn du selbst Dinge in Bewegung setzt – mit kreativen Freunden, die mit anpacken.

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Lesson transcript:

The DIY Approach to Music

I think it's a really great time to make music because we have so many tools available to use. However, the term "DIY" can feel like a bit of a curse.

The Reality of the Music Industry

You've never been able to just lean back, make your music, and expect a limousine to roll up with someone handing you a record deal. I don't think that was ever the case. There's so much smoke and mirrors in the music industry that it often overshadows the hard work required to reach success.

To me, what DIY means is:

  • You don't sit back and wait for something to happen.
  • You have to get up and make things happen for yourself.

Taking Action

  • Start playing shows.
  • Start recording.
  • Put things out into the world.
  • Make connections: with musicians and with the people that like your music.

I believe these relationships are the most important, and everything else will follow.

The Role of Business Partners

We're not saying that artists should handle every single aspect of their careers on their own, certainly not forever. In most cases, that's not realistic from the beginning.

However, new artists, especially at the start of their careers, often must manage their own business. Eventually, most artists aspire to have:

  • A manager to oversee the business side.
  • A record label.
  • A publisher.
  • An agent and a promoter.

These business partners help with various aspects of the career, but initially, you'll have none of them.

The First Step: Getting Management

At our events, I often hear that new artists believe their first deal should be a record deal. I always say:

"No, the first person you need is a manager."

Before you even think about doing a label deal, you need to secure management.

Getting a Manager

When new artists ask, "How do I get a manager?" the typical response from managers is:

"When you're ready, we'll come and find you."

While this may not seem helpful, it does carry weight. It means that as a new artist, you need to start doing things both creatively and commercially to get noticed, not just by fans and bloggers, but also by managers and agents.

Building Your Career

This means:

  • Writing your songs.
  • Recording your songs.
  • Distributing your songs, not only through SoundCloud and YouTube, but also through services like Spotify and iTunes. This is actually very easy to do.

The Importance of Gigging

Perhaps most importantly, gigging is essential.

  • Get out there and play. This is your marketing platform.
  • While you may not make much money gigging, it's important to understand the landscape.

Many new artists feel discouraged when they hear that pop stars make money from concerts because at the grassroots level, you often lose money playing to small audiences.

Learning and Building

  • When you're gigging at pub level to 50 people, it's a learning experience.
  • You hone your sound, build a fan base, and meet industry professionals.

For me, this is what the DIY bit is all about:

  • Recording your music.
  • Getting your content online.
  • Having a social media setup.
  • Gigging relentlessly to attract business partners.

Once those partners appear, you won't have to do everything on your own.

Collaboration is Key

But, as I say, when I mention doing it yourself:

  • Find a photographer to take your photos.
  • Find someone passionate about social media to manage your accounts.
  • Find a writer to craft content for your website.

Work with other creative individuals who are also at the start of their careers. Realistically, you can't do everything alone.

About the instructor

Katie Melua
Katie Melua

Katie Melua zählt zu den erfolgreichsten Künstlerinnen Großbritanniens – mit über 11 Millionen verkauften Alben weltweit und einer Reihe von Multi-Platin-Veröffentlichungen. Geboren 1984 als Ketevan Melua im georgischen Kutaissi, zog sie als Kind mit ihrer Familie nach Belfast und studierte später an der BRIT School in London, wo sie vom Songwriter und Produzenten Mike Batt entdeckt wurde. Ihr Debütalbum 'Call Off the Search' (2003), veröffentlicht mit 19 Jahren, stand sechs Wochen auf Platz 1 der britischen Charts und wurde mit Sechsfach-Platin ausgezeichnet – angetrieben von der Hitsingle 'The Closest Thing to Crazy'. Der Nachfolger 'Piece by Piece' (2005) führte europaweit die Charts an und enthielt ihren bekanntesten Song 'Nine Million Bicycles'. 2006 schaffte sie es ins Guinness-Buch der Rekorde: mit dem tiefsten Unterwasserkonzert aller Zeiten, 303 Meter unter dem Meeresspiegel auf einer Gasplattform in der Nordsee. Es folgte eine beeindruckende Serie von Top-Ten-Alben – 'Pictures' (2007), das von William Orbit produzierte 'The House' (2010), 'Secret Symphony' (2012) und 'Ketevan' (2013) –, in denen Melua einen Sound verfeinerte, der sich mühelos zwischen Jazz, Folk und klassischem Pop-Songwriting bewegt. 'In Winter' (2016), aufgenommen in Georgien mit dem Gori Women's Choir und von ihr selbst produziert, offenbarte eine neue Tiefe ihres Könnens. Ihre jüngsten Werke sind ihre persönlichsten: 'Album No. 8' (2020) und 'Love & Money' (2023) erhielten einige der besten Kritiken ihrer Karriere, und 'Live at the Royal Albert Hall' (2024) feierte zwei Jahrzehnte an der Spitze der britischen Musik. Live bleibt sie eine fesselnde Künstlerin, die regelmäßig in Europa und darüber hinaus auf Tour ist. read more

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