Advice for artists - getting paid & working with publishers

With
Jay MistryWhat's in the course
21 lessons (4h 21m) · 1 free
01. Introduction with Harry Leckstein and Jay Mistry
11:37

02. A short history of Publishing
6:10

03. Copyright (types of rights) & Royalties
Free lesson11:19

04. Advice for artists - getting paid & working with publishers
You are here15:35

05. Advances, exclusivity & types of publishing deals
14:27

06. Getting started on your own
3:01

07. The Games market
2:55

08. Understanding Publishing Contracts
11:51

09. The world of Sync
8:23

10. Sonic branding & what is a brief. Case study - Ollie Raphael
3:54

11. Sync jargon decrypter & myth-buster
8:38

12. Understanding roles within TV & Film industry
11:43

13. Final words of advice
9:43

01. Interview with Ollie Raphael - Delicious Digital & working with Radio
11:38

02. Interview with Dan Mallender (Phase Music) - Music, promos & trailers for TV, Radio, Film, Gaming industries
16:04

03. Interview with Rachel Menzies - Music Supervision
11:19

04. Interview with Richard Ford (Anger Music) - Working with composers
16:23

05. Interview with Stuart Belsham - Discover PRS
37:15

06. Interview with Alessio Nanni (via Skype) - Pianist & Composer
15:02

07. Interview with Rob Manning (via Skype) - Film & TV Composer
15:23

08. Interview with Xiaotian Shi (via Skype) - Film & TV Composer
18:40
Lesson transcript
Joining a PRO: The First Step for Composers, Songwriters, and Artists
With all those good definitions of income streams, what is a good first step for a composer, songwriter, or artist to take when it comes to joining a PRO?
Join a PRO
Fundamentally, the first thing you have to do when you decide to become a composer is to join a PRO (performing rights organization) of your choice.
- In America, you have ASCAP, BMI, and SESAC.
- In the UK, there's PRS.
- In Germany, you have GEMA.
Wherever you are in the world, there will be a PRO that you can join. What joining a PRO allows you to do is:
- Register your tracks (making them more or less copyrighted)
- Ensure that the PRO knows about your tracks
- Receive payment whenever your tracks get played
So, it's crucial to become a member of a PRO, particularly if you're planning to release your own music online or through digital distributors.
Registering with PRS and MCPS
You might consider joining PRS first and, as your songs reach some form of product, join the other side, the MCPS (Mechanical-Copyright Protection Society).
Key Points:
- As a composer, you wouldn't typically join MCPS; that's more for publishers who collect mechanical income.
- For artists, a record contract usually handles the recording side.
- DIY artists should still be members of a PRO like PRS, especially if releasing music online via platforms like iTunes.
Benefits of Joining a Distributor
If you're going the DIY route, consider joining an aggregator or digital distributor which can help with:
- Taking care of the deals with online outlets.
- Providing a direct link with people who will pay you for mechanical rights.
Examples of digital distributors include:
- The Orchard
- AWAL
- Ditto
- Believe
The Benefits of a Publishing Deal
What Publishers Can Do for You
Having a publishing deal can be beneficial depending on your aspirations as a composer. Here are some ways publishers can assist:
- Register Your Songs: They collect income through PRO memberships.
- Exploit Your Work: Publishers can connect you with other composers, find opportunities, and help protect your works from infringement.
- Forge Relationships: They often have the necessary connections with record companies, increasing your chances of having your work covered by artists.
Collaboration Opportunities
- If you're a composer who doesn't want to tour, a publisher can connect you with artists who will perform your songs commercially.
- They can reach out to record companies when artists are looking for tracks, which can be mutually beneficial.
Networking and Community
Importance of Networking
Networking is essential:
- Attend events held by organizations like PRS, which host various gatherings and networking events throughout the year.
- Networking events are a great way to connect and can lead to unexpected opportunities.
You'll find that a significant portion of composers might feel shy, but it's vital to get out and meet people.
Example Networking Opportunities
- Tile Yard hosts networking evenings each month, which are great for making connections in the industry.
Making Connections
Timing is crucial. For example, if you meet a publisher who is looking for a ballad and you happen to have one, that could lead to significant opportunities.
Prolific Activity
The Benefits of Being Prolific
To establish a career as a composer, being prolific is vital. Here's why:
- Every song you create is an opportunity.
- You might only need a handful of standout tracks from the numerous songs you write.
Specialization in Songwriting
Different Roles in Songwriting
Songwriters can specialize in various areas:
- Hook writers focus on catchy choruses.
- Composers can create instrumental music for programming.
- Collaborations can maximize effectiveness, for instance, pairing a producer with a vocalist and a lyricist.
Advantages of Working with a Publisher
Global Reach
Joining a reputable publisher provides access to:
- Sub Publishers: Many publishers have sub-publishing agreements with companies around the world, enabling your music to be represented globally.
- Local Expertise: Sub publishers understand their local markets better and can enhance the potential for your music.
Exploring Publishing Companies
When researching publishers, consider:
- Their sub-publishing network and its effectiveness in various regions.
- Whether they are connected with major players like Sony or Universal, which gives them wider reach.
Sync Opportunities
Sync Departments
Publishers often have dedicated sync departments to look for opportunities with TV and film companies. Sync placements can be a lucrative avenue for composers.
While technology is creating new platforms for uploading songs and matching them with sync briefs, having a dedicated publisher generally increases your chances of getting placed due to their established relationships.
Conclusion
For a young composer, exploring publishing opportunities and actively getting involved with a PRO and networking can set the foundation for a successful career in music. Keep creating, connecting, and exploring avenues for your compositions.
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Meet your guru

Meet your guru
Jay Mistry is a music industry veteran of 30 years and is fluent in most aspects of the music business.
Jay began his career at the Performing Right Society before joining BMG Music Publishing, where he was asked to set up the income tracking department from scratch. In 2003, he incorporated Musical Sleuth Ltd, the first independent royalty tracking service of its kind, which counted clients such as Eric Clapton and The Beatles.
Having mastered the intricacies of copyright and royalties, Jay was asked to become Director of Music Services at The Discovery Channel in 2009. His success at Discovery led New York entrepreneurs Jingle Punks to bring him in to set up and stabilise their US publishing operation while building their global collection network. Jay currently consults for a range of high-end composers, music libraries, film producers, publishers and tech platforms.
In A Guide To Music Publishing And Synchronization, Jay distils three decades on the inside of the business into clear, practical guidance, showing you how publishing, copyright, royalties and sync deals really work - and how to make them work for you.












