ASSIGNMENT #2: REPLACE KICK DRUM AND SNARE
Your second mixing assignment from Goetz Botzenhardt: replace the kick and snare in your session with harder-hitting samples and tidy up the timing.
What's in the course
23 lessons (2h 35m) · 1 free
01. Loading samples into your mixing project
5:28
02. Inspecting the material - The Drums
7:06
03. Tightening up the drums, using sound replacer
5:14
04. Inspecting and preparing vocals
3:40
05. Assembling the mix
10:36
06. Adding more elements to the mix
3:21
07. ASSIGNMENT #2: REPLACE KICK DRUM AND SNARE
You are here1:04
Lesson transcript
Music Lesson Assignment: Drum Replacement
Hi, guys.
Task Overview
This next assignment is to replace a kick drum and a snare drum based on the mix session that you created in the last assignment.
Audio Files
- Provided Audio Files: Please use the same audio files that we've provided.
- Drum Performance: The drums are quite softly played.
Suggestions for Mixing
- If you want drums that are a bit harder-hitting in your mix to give you more freedom for a slightly more poppy sound, consider using your own samples.
Steps to Follow
-
Replace Kick Drum and Snare Drum:
- Start with the kick drum and the snare drum.
- Use the technique I described in my course, such as Sound Replacer, or any other technique that you might know.
-
Timing Adjustment:
- Once you've replaced the kick drum and snare drum, look at the timing.
- See if anything needs to be shifted a little bit to make the drum sound really, really tight and nice to work with.
For me.
23 lessons
2h 35m of structured video lessons
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Meet your guru
Meet your guru
In the early nineties, Goetz Botzenhardt trained at Swanyard Recording Studios, assisting top producers like Flood, Alan Moulder and Tom Lord-Alge, and cut his teeth recording and mixing the dance and Acid Jazz bands of the 90s - Incognito, Galliano, Soul II Soul and many others.
At Swanyard he met Rollo Armstrong and the two quickly formed a creative partnership, leading to many big dance records and remixes and, soon after, to recording and mixing the first two acclaimed Faithless albums and Dido's multi-platinum 'No Angel'.
Ranging across genres, he recorded and mixed the Sugababes' debut album 'One Touch', including their first hit 'Overload', and has mixed for The Cardigans, Bjork, The Cinematic Orchestra, Craig David, the Pet Shop Boys and Hikaru Utada, one of Japan's most successful artists.
More recently he expanded into film and TV, working extensively with composers Christian Henson, Martin Phipps and Anne Nikitin, and mixing Daniel Pemberton's Golden Globe-nominated score for 'Steve Jobs', directed by Danny Boyle. Away from film he produced Tanita Tikaram's 'Closer to the People', mixed tracks for Sigala, Ella Eyre, Breton, Planet Funk and Tito Jackson, and in 2016 mixed Peabo Bryson's album with Jimmy Jam and Terry Lewis. A full list of his work is on his discography and filmography pages at goetz-botzenhardt.com.
Goetz works from his own studio and mix room, built around an SSL E4044 console, Adam 5.1 surround monitoring, a 48-channel Pro Tools HDX system and choice outboard gear. In his courses he takes you inside that room to show how he mixes across two very different worlds: in Mixing for Film & TV Score, how he balances and shapes orchestral and hybrid scores to serve the picture; and in Mixing Commercial Pop Music, how he builds punchy, radio-ready pop mixes from the multitrack up.
