Lesson 10 of 23Music ProductionIntermediate

Inspecting and preparing vocals

Goetz explains the complexity of preparing vocals. He demonstrates the power of Melodyne for adjusting potentially off-pitch vocals.

Part of the courseMixing Commercial Pop Music23 lessons (2h 34m)

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Goetz BotzenhardtYour guruGoetz Botzenhardt

What's in the course

23 lessons (2h 34m) · 1 free
    • 01. Loading samples into your mixing project

      5:28

    • 02. Inspecting the material - The Drums

      7:06

    • 03. Tightening up the drums, using sound replacer

      5:14

    • 04. Inspecting and preparing vocals

      You are here

      3:40

    • 05. Assembling the mix

      10:36

    • 06. Adding more elements to the mix

      3:21

    • 07. ASSIGNMENT #2: REPLACE KICK DRUM AND SNARE

      1:04

Lesson transcript

Welcome Back to the Course!

So now we sort of looked at timing and replacing drums, making sure your groove is okay. I just want to quickly also talk about something else that's equally important.

Tuning Vocals

Quite often, unfortunately, in this day and age, stuff comes in with problems, specifically, tuning. I often receive sessions where the vocals are really out of tune or some instruments have issues, but the main problem is usually the vocals.

Tools for Tuning

I actually spend a lot of time tuning vocals these days.

  • Melodyne: My favorite tool.
  • Autotune: Another option, but I prefer Melodyne.

Demonstration

In this lesson, I'm demonstrating with a singer who is actually very good. There are no significant tuning issues, just tiny tweaks in one or two places, but really nothing at all.

I want to quickly show what Melodyne looks like.

  1. Transfer Process: Melodyne transfers the audio file into memory and creates a new audio file that gets worked on.
  2. Visual Representation: You can see the notes here; they're pretty much aligned on the grid. If one deviates too much, there are various tools available to move them up and down.

I won't play this audio clip out of respect for the artist; she's genuinely in tune, so there was very little for me to adjust.

Tips for Using Melodyne

  • Practice: Tuning vocals with Melodyne takes some practice, but it's fairly straightforward.
  • Grid Movement: You can move the notes around on a grid, and they usually snap to the nearest note. Just double-click on it to snap to the nearest pitch if there's too much wobble.
  • Pitch Modulation Tool: There's another tool called the pitch modulation tool that allows you to straighten out notes.

Final Thoughts

If you have the software, learn how to use it, and don't be afraid to fix pitch issues.

  • A mix is never going to sound right if the lead vocals are out of tune.
  • If no one else has corrected this by the time it reaches you as the mixer, it's your responsibility to do so.

By fixing it up, you will greatly improve your mix.

Conclusion

So, there we go! Those are two very important things to check before you even start mixing:

  • Ensure everything is in time
  • Make sure everything is in tune

Otherwise, your job will be impossible.

This may sound like a lot of preparation work, but if you follow these steps and prepare your mix well, it will come together quickly and sound amazing.

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Meet your guru

Goetz Botzenhardt

Goetz Botzenhardt

In the early nineties, Goetz Botzenhardt trained at Swanyard Recording Studios, assisting top producers like Flood, Alan Moulder and Tom Lord-Alge, and cut his teeth recording and mixing the dance and Acid Jazz bands of the 90s - Incognito, Galliano, Soul II Soul and many others.

At Swanyard he met Rollo Armstrong and the two quickly formed a creative partnership, leading to many big dance records and remixes and, soon after, to recording and mixing the first two acclaimed Faithless albums and Dido's multi-platinum 'No Angel'.

Ranging across genres, he recorded and mixed the Sugababes' debut album 'One Touch', including their first hit 'Overload', and has mixed for The Cardigans, Bjork, The Cinematic Orchestra, Craig David, the Pet Shop Boys and Hikaru Utada, one of Japan's most successful artists.

More recently he expanded into film and TV, working extensively with composers Christian Henson, Martin Phipps and Anne Nikitin, and mixing Daniel Pemberton's Golden Globe-nominated score for 'Steve Jobs', directed by Danny Boyle. Away from film he produced Tanita Tikaram's 'Closer to the People', mixed tracks for Sigala, Ella Eyre, Breton, Planet Funk and Tito Jackson, and in 2016 mixed Peabo Bryson's album with Jimmy Jam and Terry Lewis. A full list of his work is on his discography and filmography pages at goetz-botzenhardt.com.

Goetz works from his own studio and mix room, built around an SSL E4044 console, Adam 5.1 surround monitoring, a 48-channel Pro Tools HDX system and choice outboard gear. In his courses he takes you inside that room to show how he mixes across two very different worlds: in Mixing for Film & TV Score, how he balances and shapes orchestral and hybrid scores to serve the picture; and in Mixing Commercial Pop Music, how he builds punchy, radio-ready pop mixes from the multitrack up.

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