S'asseoir avec ta guitare (acoustique)

Tommy Webb
Tommy Webb

Lesson time: (3min 29sec)

Apprends à t'asseoir et à tenir ta guitare acoustique pour plus de confort et une bonne posture. Construis une base solide pour jouer avec la bonne technique dès le départ.

Course preview

This lesson is part of the course Méthode de Guitare : Rock & Pop
Watch a preview of the full course below.

Lesson transcript:

Acoustic Guitar Overview

As I mentioned earlier, there's also the acoustic guitar.

Body and Sound

  • The body is a bit wider.
  • It has a hole in the middle, which acts as our amplifier.
    • This is where the sound comes out.

Everything else we spoke about is exactly the same:

  • Frets
  • Neck
  • Tuning pegs
  • Bridge

The only thing you won't find is volume and tone knobs. Since there's nothing the guitar is plugged into, we can play it exactly the same way.

Playing Technique

When pressing the notes down, you may need to be a bit firmer because:

  • The strings are a bit stiffer.
  • The tension is a bit harder.

But we play exactly the same as the electric guitar in terms of:

  • How the frets work
  • What the strings are called
  • How we need to pluck it

Finger Pain and Adjustment

When you first start learning the guitar, the strings are quite hard, and your fingertips might start to hurt.

  • The skin on your fingertips will harden over time.
  • You'll get used to this feeling, and the pain will go away.

Tips for Learners

  • Stick at it.
  • Take it slowly.
  • Take regular breaks if you need to.
  • Keep coming back to these videos and progressing.

Sitting and Holding the Guitar

While I've got the acoustic out, let's look at how to sit and hold the guitar.

  1. Feet - A shoulder width apart.
  2. Guitar Position - Rest the acoustic or electric guitar on your right leg (if you're right-handed).
  3. Arm Position -
    • Your right arm, holding the pick, comes over the body.
    • Try to rest the corner of the guitar inside your elbow.
    • Bring it into your chest, with your elbow towards the end of the guitar's body.

Posture

  • My shoulders are nice and relaxed.
  • I have a straight back while sitting.
  • Avoid hunching over the guitar; it doesn't lead to good technique and can result in a sore back.

Left Hand Technique

When using your left hand:

  • Come underneath the neck of the guitar.
  • Avoid using your thumb just yet; rest your fingers on top of the strings.

Your thumb can come over when gripping the guitar‚ it can be in the middle, but avoid placing it at the very bottom, as it makes it quite a struggle to play.

Neck Positioning

  • Keep the guitar on the top half of the neck.
  • We will be looking at power chords eventually.
  • Notice that your thumb may come up over the neck; this is totally normal.

Grip and Comfort

Your grip will vary with the guitar:

  • When I started playing, my grip was very tight.
  • As I progressed, it softened.
  • Trust that your fingers will push in hard enough; you don't have to squeeze as hard.

Finding Your Style

  • Some guitarists have a tight grip, while others prefer a loose grip.
  • It's about what feels comfortable to you.

At the start, you might feel a strain on your hand, but give it a few weeks, or even a few months, and you'll start to loosen up.

Pain Management

If you feel pain in your fingertips or hand:

  • Take a quick break.
  • Consider coming back the next day or an hour later.

Remember, when starting out with the instrument, you don't want to overplay or overstress yourself.

Conclusion and Course Structure

For the rest of this course, I'll be using the electric guitar.

  • Don't worry if you don't have one; the acoustic works the same way.
  • While I will be discussing pedals and amp settings, these won't apply to you just yet, but it's useful knowledge for the future when you might get an electric guitar.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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47 lessons (1h 40m)
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