Mélodie avec la note C et des silences
Lesson time: (4min 59sec)
Tommy Webb présente la note C (troisième case, corde A) et l'utilise dans une courte mélodie avec des silences, reliant les notes que tu as apprises jusqu'ici.
Course preview
This lesson is part of the course Méthode de Guitare : Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Finding Note C
Introduction to Note C
In this example, we will find the new note C. To play this note, we will:
- Play the third fret on the A string.
Recap of Previously Learned Notes
So, let's recap what we've learned so far from rock and pop examples:
- E: Open E string
- F: First fret on the E string (played with our first finger)
- G: Third fret on the E string (played with our third finger)
- A: Open A string (second thickest string)
- B: Second fret on the A string (played with our middle finger)
- C: Third fret on the A string (played with our third finger)
Practice Recommendations
It would be good to practice these notes slowly, trying to memorize all six positions and their names in order:
- E, F, G, A, B, C
You can also practice them backward.
Connecting the Fretboard to Music Reading
In addition to practicing these notes on the fretboard, it's beneficial to locate them on the stave as well. Remember to refer back to our music reading section to find the notes on the stave and make the connection between the fretboard and what you're seeing on the music.
Example Three: Rhythm and New Note
In Example Three of the pop section, we see quarter note rests again, as well as our new note C.
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Bar 1:
- Start off the phrase with the third fret on the E string.
- The rest is on beat two.
- On beat three, play A note followed by a rest.
- Then, play the open A string and fret two (which is B on the A string).
- Sounds like this: 1, 2, 3, 4.
-
Bar 2:
- A change in rhythm with half notes lasting for two beats.
- Introduce our brand new note C (third fret on the A string).
- Open up to the open A string for two beats.
Focus on Technique
In this section, we are focusing on:
-
Playing two notes on the third fret: G (E string) and C (A string).
-
Practice these two bars while keeping your third finger (ring finger) around this area.
-
Tip: Try to keep your finger in position to maintain a smooth flow between the two notes without lifting too high.
Bar Changes and Counting
- Bar 3:
- Similar notes as before, but the rest has moved.
- Count carefully as this may take some time to adjust from the rest being on beat two to beat three.
Getting Comfortable with New Techniques
- For the new notes:
- Third fret on the E string (G) to second fret on A string (B).
- Practice moving between these two notes, playing both notes simultaneously in terms of the left hand and plucking different notes with your pick.
Structure of Bar 3
-
Bar 3:
- G (third fret on the E string)
- B (second fret on the A string)
- Rest
- B again
-
Final Bar:
- C (third fret)
- Open A string
- G on the E string (lasting for two beats)
Conclusion: Bringing It All Together
This is a great example of maintaining finger position and not moving too far away from the frets.
Here's the whole line, nice and slowly for us to play together:
1, 2, 3, 4.
Clapping Exercise
To clap the rhythm, do the following:
1, 2, 3, 4.
Take your time adjusting to the different positions of the rests, and practice everything together before moving on to the backing track.
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




