Comment obtenir un son frété propre

Tommy Webb
Tommy Webb

Lesson time: (3min 19sec)

Apprends à jouer des notes frétées propres et claires grâce aux conseils de pro de Tommy. Maîtrise l'équilibre entre pression et position pour un son sans buzz.

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This lesson is part of the course Méthode de Guitare : Rock & Pop
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Lesson transcript:

Rock Section: Lesson on E and G Notes

In this first example in the rock section, we're going to be using the notes E and G.

Finding the Notes

  • We found where the E was in the earlier section about finding the strings.
  • The open E string is the big top one, closest to our head.
  • For G, it will be on the third fret of that E string.

Playing the G Note

  1. Locate the Third Fret:

    • The third fret is also the first dot on the fretboard.
    • Push down on top of the string.
  2. Sound of the G Note:

    • Pushing the string into the wood gives you the note G.
    • You can hear the change in pitch, so take a second to get used to that.

Pushing Fretted Notes

  • When playing fretted notes, avoid pushing on the metal fret; instead, aim for the piece of wood in between the frets.
  • This method ensures the cleanest sound and the least amount of fret buzz.

The Balance of Pressure

  • When pushing the notes down, we want to be firm but not overly hard.
  • Tip:
    • If you push too hard, you bend the string and change the pitch.
    • If you push too softly, the note won't ring out.

Objective: Find that balance of being firm enough to push it down without squeezing so hard that you get horrible lines in your fingers.

Technique Development

In this course, we will focus on notes between the open string and the fourth fret.

Finger Placement

  • It's a good idea to use a finger per fret:
    • First fret: First finger
    • Second fret: Second finger
    • Third fret: Third finger
    • Fourth fret: Fourth finger

This technique helps us get accustomed to playing with different fingers, ultimately aiding in our speed while playing the guitar.

The Spider Scale Exercise

A great way to practice this is through the spider scale. We call it the spider scale because it looks like a spider's legs running away.

How to Play the Spider Scale

  1. Play the first fret on the high E string.
  2. Follow with the second fret, then the third, and finally the fourth.
  • For each example:
    • Use your first finger for the first fret
    • Second finger for the second fret
    • Third finger for the third fret
    • Fourth finger for the fourth fret

Reverse the Scale

  • We can then play this in reverse, which helps loosen up our hands and build good technique.
  • This is something you can keep doing throughout your guitar playing journey.

Practice Tips

  • Aim to get faster or change the variations to make it trickier as you progress.
  • For now, take it really slowly, ensuring the notes ring out nicely and clearly.

Key Reminder:

  • Avoid pushing in too hard to prevent bending the pitch of the string, which can cause the guitar to go out of tune.
  • However, if you don't push hard enough, the note won't ring out.

Suggestion: Spend some time now playing the first fret on the high E string and try to find that right pressure so the note rings out, while still remaining in tune.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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