Riff avec les notes Mi et Sol

Tommy Webb
Tommy Webb

Lesson time: (3min 30sec)

Tommy te guide à travers ton premier riff rock en utilisant uniquement la corde de Mi à vide et le Sol à la troisième case, en attaque vers le bas sur des noires régulières.

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This lesson is part of the course Méthode de Guitare : Rock & Pop
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Lesson transcript:

Music Lesson: Quarter Notes Riff

So, as we said, we've got quarter notes to play. This riff consists of one note per beat.

Clapping Exercise

We're going to clap through this now. In all four bars, you can see the vertical lines coming down. The rhythm doesn't change; we have:

  • Four notes in each bar, so clapping along the notes would sound like this:
    • 1, 2, 3, 4.
    • 1, 2, 3, four.
    • 1, 2, 3, Four.
    • 1, 2, 3, FOUR.

All even the whole way through.

Understanding the Tab

Looking at the tab, this will give us our pitches and where to play these notes on the neck.

  • The open E string, the big low one, is on the B side of the tab, meaning bass.
  • The lower notes include one open string followed by a G (which is the third fret). You can see that by the number 3 on that line.

After we play the third fret, we go back to the open string and play that twice.

Playing Technique

What we're going to be doing here is hovering our third finger above the third fret the whole time. When we see that fret number three, we're going to:

  1. Push down on the string into the gap.
  2. Take it back off to get the open string again.

This would look like this:

  • Open, third fret, open, and open again.

We're going to be using down picking here with our picking hand, just playing down on the top E string.

  • It's a rocky sound, and it sounds quite heavy and big, but that doesn't mean we need to pluck any harder.
  • The amp and the distortion will be taking care of that for you.

Consistency in Practice

Keep it nice and smooth and just stroke that top E string. If we read through the line, you can see every bar is the same.

  • We have a repeat of the first bar for the next three.

So all we need to do now is get those first four notes down and work on your stamina‚ being able to play it a further three more times.

Following the Riff

I'm going to play through that riff, and try and follow along. A nice, easy way to stay in time at home is to tap your foot.

  • Keep in time with yourself: 1, 2, 3, 4.
  • Make sure each tap is constant and an even distance apart.

Backing Track

We are now going to put this riff to the backing track, which will feel like you're playing with a band. We'll take it in turns:

  • The first time, I'll play the riff, then you, then me, then you‚ just like a band situation, trading solos.

It might feel a little bit faster as we're playing at 90 beats per minute. Don't worry if you need to take some time before you get there.

Practice Tips

You can loop this video and go over it as many times as you need to feel comfortable. When I learn a new riff or a new song, I take it really, really slowly.

  • I recommend playing this riff at a really slow tempo to begin with, something like this:

[Slow Tempo Example]

Gradually work on getting faster and faster. Remember, the backing track at 90 beats per minute is quite quick. So don't be worried if you take a few days working on this riff to get it up to that speed.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more

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