Mélodie avec des rondes
Lesson time: (2min 34sec)
Course preview
This lesson is part of the course Méthode de Guitare : Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Example 2: Whole Notes
Now we're going to look at example 2. This is our first look at whole notes. As mentioned before in the reading music section, a whole note lasts for four beats.
Understanding Whole Notes
What this means is each note will last for the whole bar. This gives us a lot of time to:
- Move our fingers
- Prepare for the next note
However, it also involves a lot of counting and timekeeping, so it has its own challenges.
Counting Practice
I suggest for now, before we play any notes, just trying to play the open E string and count to four.
Let's practice this together:
- 1, 2, 3, 4.
- 1, 2, 3, 4.
- 1, 2, 3, 4.
This may sound quite simple, but it's actually a little bit harder than you'd think.
Keeping Time
When we're busy, we know what's coming up, but when you have massive spaces in between notes, it can be hard to keep time. You might feel like you need to rush through them.
Rolling Technique
As I said, we're looking at whole notes. In example 2, we're starting off with a G3 fret on the E string. If we look ahead, we're playing a C, which is the third fret on the A string.
This gives us a chance to discuss the technique of rolling our finger.
- To get from the third fret on the E to the third on the A, I won't lift my finger fully off.
- Instead, I will roll my finger down.
You can see that action as I push up; my finger goes to the E. As I come down, it goes to the A.
Rather than lifting up every time and wasting time, we can roll our finger between the two notes.
Practice Routine
So we've got:
- G (third fret on the E string) - Count: 2, 3, 4
- Down to C (third on the A) - Count: 2, 3, 4
- To the open D (note we learned in the previous example) - Count: 2, 3, 4
- Back to the third fret on the A (C) - Count: 2, 3, 4
- Finally, back to G - Count: 2, 3, 4
Let's try that nice and slow together, noticing that my fingers don't really leave the third fret:
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
- 2, 3, 4.
Final Tips
When we're playing this section, I'd really like you at home to count either inside your head or out loud. Make sure you're counting to four between every note, ensuring there's no guessing about when the next one comes up.
Let's give it a go!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




