Rock City - mesures 3 et 4
Lesson time: (2min 18sec)
Apprends les mesures 3 et 4 du morceau de rock Rockschool Rock City, en jouant une note différente sur chaque temps avec des transitions fluides entre elles.
Course preview
This lesson is part of the course Méthode de Guitare : Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Example 4: Rock City
Welcome to this section from the song Rock City. We'll be diving into this rock song towards the end of the course when we start learning pieces from Rock School.
These songs are fantastic for:
- Furthering our guitar playing skills
- Building stamina
- Getting used to playing for extended periods
It's exciting that we have so many songs to learn. A significant part of playing guitar is memory‚ being able to recall different tunes and sections. These songs are genuinely fun to play, so I'm looking forward to guiding you through them later in the book.
Overview of Rock City
For now, let's focus on a small section from Rock City. We will be using the same notes we've been practicing in all previous rock examples:
- E
- G (the third fret on the E string)
- Open A
- B (the second fret on the A string)
Bar One
In bar one, we will encounter our first look at playing different notes on every beat of the bar.
Tips for Practicing Bar One:
- Watch out for the changes between notes
- Take it slowly at first, as there's a lot of movement involved
We start with the E string, transitioning to the G string. The next two notes are:
- Open A
- B (second fret on the A)
I recommend breaking this bar into two halves:
- Practice the first two notes first
- Then practice the second two notes
Once comfortable, loop this entire bar repeatedly until you can play it smoothly, ensuring all notes are of even length. Gradually build up speed, but remember: accuracy is more important than speed at this stage.
Bar Two
In bar two, we have half notes, which means:
- The A note lasts for two beats
- The note being played is the open E string
Bars Three and Four
Bars three and four repeat the same pattern as one and two. This repetition gives us a great opportunity to develop stamina and work on transitioning between strings.
Practice Play-Along
Now, I'll play this example at a slow pace.
- Try to play along with me
- Take your time to work on the section
I'll see you in the backing track next!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




