Mélodie A en combinant 4 notes
Lesson time: (4min 0sec)
Course preview
This lesson is part of the course Méthode de Guitare : Rock & Pop
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Introduction to Melody
Moving on to example two. It's our first look at melody. So far, we've been playing riffs‚ either a bar phrase repeated over and over, or a two-bar phrase repeated similarly.
Overview
This time, every bar is a little bit different, so we've got more to learn, and it might take some more time to work out and practice.
New Notes
We also have two new notes: A and B.
- A: Open A string
- As we said before, Eddie ate donuts. Good boy, Eddie.
- B: Second fret on the A string
- Just as we did for the G, we're going to push down on the second fret to get the note B.
Playing Technique
As a recap:
- We're not too close to the metal strips; we're in the middle of the wood, pushing down to get that clear sound.
- For this song, it's a good idea to keep your fingers close to the strings when playing different notes.
Tip: For the G, keep your ring finger hovering over that third fret, but don't press down. If you're too close, you'll mute the strings, so watch out for those distances. This helps us set ourselves up for the phrase and play smoothly rather than racing around and rushing to get back into position.
Notated Rhythms
If we take a look at the notated rhythms above, you'll see it's the same pattern every time:
- Two quarter notes and a half note.
The whole rhythm for each four bars will sound like this:
1, 2, 3, 4.
1, 2, 3, 4.
Focusing on Notes
So, we don't need to worry about the rhythm; we're just focusing on the change in notes.
- Bar 1: Open E string going to the third fret (which is G), followed by an open A string.
Practice: Get used to playing with your pick and finding those different strings. It may be worth taking a pause and reviewing those picking exercises we looked at in the beginning.
- Playing open E to third fret to open A for two beats: 1, 2.
- So that first bar sounds like this‚
Working Through the Bars
-
Bar 2: Staying on the A string.
- You can see this because all our notes in Bar 2 are on that second line, which represents A on the tab.
- We're playing B (second fret, with our middle finger), then open A, back to B to combine the first two bars.
- It should sound like this: 1, 2, 1, 2.
-
Bar 3: The open A string played three times, so we don't need any fingers.
- Here, when I said we want to keep our fingers hovering, this is where we don't want to let go of the neck completely.
- We're leaving our fingers around the area of where they need to fret. This way, the next time we play them, we're close and ready rather than having to find the note and possibly slow ourselves down.
-
Final Bar: We've got Bar 1 in reverse.
- Open A string going to G (fret three on the E), followed by open E to finish for two beats.
Practice Suggestion
So, if I play you through that melody, try to play along! We'll go nice and slow, and we can build up to catch up with the backing track eventually.
Recommendation: Practice this one bar at a time. Loop each bar until you can do it perfectly, then move on to try and stick them together gradually rather than going from start to finish every time.
Take it really slowly, and once you feel comfortable, I'll see you in the backing track!
About the instructor

Tommy Webb est un guitariste basé à Londres, titulaire d'une licence avec mention (BA Hons) en guitare de l'Academy of Contemporary Music de Guildford, où il a étudié auprès de Sandy Beales (One Direction, Wheatus) et Nicolas Meier (Jeff Beck). Son propre jeu circule librement entre rock, pop, indie, hip-hop, country et metal - précisément le terrain que couvrent ses méthodes de guitare. Tommy a travaillé avec un large éventail d'artistes et de groupes à travers le pays, dont Jarki Monno et Indira May, partageant scènes et sessions avec les guitaristes Paul Murray (Jess Glynne, Zak Abel) et Adam Chetwood (Paolo Nutini, Mark Ronson), ainsi que les batteurs Alex Woodward (Black Honey), Luke Robinson et “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Sur scène, il s'est produit au Jazz Cafe en première partie de la chanteuse soul Jocelyn Brown, ainsi que dans des salles et festivals comme Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival et Sundown Festival. Sur disque et à la radio, Tommy a enregistré des sessions live pour BBC Three Counties Introducing, Vibe FM et Pulse 88, avec des morceaux diffusés sur BBC Radio 1 et Radio 2. Il a enregistré dans des studios comme South Lanes Brighton, Hempstead Road et Titan Studios, auprès de producteurs tels que Steph Carter (Gallows, Lyoness) et TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). Dans ses méthodes de guitare, Tommy vous transmet tout ce savoir-faire de musicien en activité - en enseignant les techniques, les sonorités et le feeling qui se cachent derrière des styles bien réels, du rock et de la pop à l'indie, au hip-hop, au country et au metal - pour que vous puissiez jouer la musique que vous aimez vraiment. read more




