I Need A Dollar (analyse)

Juliet Russell
Juliet Russell

Lesson time: (10min 59sec)

Juliet Russell travaille 'I Need A Dollar' d'Aloe Blacc et s'en sert pour pratiquer les quintes justes et les transitions fluides entre tes registres grave et aigu.

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This lesson is part of the course Les compétences essentielles pour les chanteurs
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Lesson transcript:

Male Vocalists: Your Challenge with "I Need A Dollar" by Aloe Blacc

Overview

So, male vocalists, your challenge, if you choose to accept it, is your second song. This will be "I Need A Dollar" by Aloe Blacc.

Key Elements of the Song

  • This song provides a perfect opportunity to recap your perfect fifths.
  • You will sing phrases like, "I need, I need a dollar," focusing on hitting the notes accurately.

Song Range

  • Range: The song spans mainly just over an octave, from G flat to A flat above.
  • For the octave jump: it would sound like this.
  • Remember, that's similar to "Somewhere Over the Rainbow" (1, 8, 1).

Transitioning Registers

  • Listen for the transition between your lower register and upper register.
  • When "sirening" up, it would sound like: A
  • Jazz, could you do that for me? (3 and lovely.)
  • You can hear that change.

Practice Techniques

  • Practice the transition with:
    • O
    • Have a go: O
    • Great.

Additional Exercises

  • You can practice using a siren:

    • Just say: O
    • Try: O (with Jazz).
    • Perfect!
  • Then, try a little: Woo.

    • Feel the different timbres and registers:
      • Oo.
      • Try: Oo.

Practicing the Lyrics

  • Transition into:
    • "I need a dollar."
  • You can practice sliding:
    • "I need, I need a dollar."

Dynamics and Timbral Variation

  • Some of you might want to stay in full voice:

    • Example: "I need a dollar."
  • Jazz, could you demonstrate a lighter phrasing?

    • How does that feel?

Connecting Phrases

  • Let's try connecting more smoothly:
    • "I need a dollar."
    • "A dollar."

High Notes and Alternatives

  • Remember, if high notes feel uncomfortable, let's find an option.
  • Instead of going up, you can say:

Help Me Section

  • For the section "Help me," let's work on making that less breathy:
    • Try: "Help me."

Alternative Notes

  • If you prefer, you can take it down an octave:
    • So, Jazz, demonstrate:
    • Help me.

Singing Comfortably

  • Always ensure your singing feels easy and comfortable!
  • You can leave out difficult notes or work around them.

Precision in Lyrics

  • When singing:
    • "I need a dollar, a dollar, a dollar is what I need."
    • Take a breath before it but still create space in the phrase.

Final Practice

  • Jazz, let's hear a take on the first part:
    • "I need a dollar, a dollar, a dollar is what I need."
    • Make it slightly smoother.

Breathing Techniques

  • If you need to breathe, try to combine phrases:
    • "If I share with you my story, won't you share your dollar with me?"

Closing Thoughts

  • Thank you, Jazz, for singing for us!
  • Take your time and always work where your voice feels comfortable.
  • If something's not working yet, give it time.
  • Tip: Warm up with sirens and hum through the song before singing.

Good Luck!

  • Remember, you want to feel good about your progress!

About the instructor

Juliet Russell
Juliet Russell

Juliet Russell est chanteuse, compositrice, coach vocale et cheffe de chœur. Elle a à cœur d'aider les individus et les communautés à développer leur voix et leur créativité. Coach vocale sur The Voice et The Voice Kids d'ITV et sur le Michael McIntyre’s Big Show de la BBC, Juliet a également travaillé avec des artistes lauréats de Grammy, Brit, MTV Europe et MOBO Awards. Elle a collaboré et joué avec des artistes novateurs comme Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal et Ringo Starr. En 2015, avec le soutien de l'Arts Council of England, elle a mené en tournée son album Earth Meets Sky, réunissant musiciens locaux et chœurs communautaires pour créer dix concerts uniques à travers le Royaume-Uni. On lui commande régulièrement de nouvelles pièces chorales et des arrangements vocaux, et elle s'est produite à l'échelle nationale et internationale. Attachée au développement des artistes, Juliet accompagne et coache des artistes émergents, en travaillant avec des sociétés de management, des maisons de disques et d'édition ainsi qu'avec des artistes indépendants. Elle possède un studio vocal en plein cœur de la vibrante Brick Lane à Londres. Juliet a été directrice artistique fondatrice de Sense of Sound et directrice créative de Sing Up Greenwich et de Sing Late au V&A. Elle dirige le Portobello Live Choir, un chœur communautaire de l'ouest de Londres, et le chœur professionnel Assemble, et elle est formatrice pour le programme Singing for Lung Health de la British Lung Foundation. read more

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