Chasing Cars (analyse)
Lesson time: (6min 8sec)
Il est temps de mettre en pratique ce que nous avons appris jusqu'ici avec la chanson de Snow Patrol, 'Chasing Cars'. Juliet nous explique les passages difficiles du morceau et comment les aborder, accompagnée du chanteur Jazz.
Course preview
This lesson is part of the course Les compétences essentielles pour les chanteurs
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Applying Techniques to "Chasing Cars" by Snow Patrol
In this lesson, we're going to apply some of what we've learned to repertoire, specifically a song. We've chosen "Chasing Cars" by Snow Patrol.
Why This Song?
- Comfortable Range: This song is suitable for most adult male voices.
- Small Interval: The range of this song is only one semitone more, making it a minor 6, which is a relatively small range for a song.
Key Points to Remember
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Dynamic Control:
- At the beginning of the song, dynamics should be controlled.
- The instrumentation is sparse, allowing for an intimate voice, almost like speaking directly to someone.
- As the instrumentation builds, gradually increase your dynamic (volume) as well.
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Important Dynamics:
- Even though the melody is relatively easy, be aware of dynamic increases, especially from the end of the first verse into the half chorus.
- A good rule of thumb: As the instrumentation builds, so should the voice.
- Avoid starting too strongly to allow for dynamic growth. Think of gentle increments, almost like going up a hill.
Lyrics and Emphasis
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Remember the lines:
"Those three words I said too much / They're not enough / If I lay here / If I just lay here / Would you lie with me? / Just forget the world."
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Emphasis:
- The emphasis is not just at the beginning or end; consider where you want to place emphasis within the phrases.
- You can choose to emphasize different words based on your interpretation and emotional connection to the song.
Breathing Techniques
- Space to Breathe:
- This song allows for plenty of breathing space, making it easier, especially for those new to singing.
- Take your time with each phrase and enjoy a smooth exchange of air.
Singing Practice
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Sing the Second Verse:
Whenever you're ready, try this out:
"I don't quite know / How to say / How I feel."
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Focus on Breathing: Notice the spaces where you can breathe; take your time and enjoy the exchange of air.
Repetitive Phrasing
- The phrasing in this song is repetitive, which is not a criticism but a characteristic that adds interest.
- Emotional Connection:
- Focus on connecting emotionally with the song.
- Enhance your performance by infusing your interpretation into the repetitive phrases.
Chorus Practice
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Second Half of the Second Chorus:
When you're ready, sing:
"Forget what we're told / Before we get too old / Show me your garden / Bursting into light."
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Pay attention to how the word "bursting" can evoke a visual image and draw the listener in.
Conclusion
I hope you enjoy singing this song! Remember:
- Dynamic Control: Work on building your dynamics over time.
- Breath Management: Use the breathing spaces to your advantage.
- Emotional Interpretation: Take your time to think about which lines resonate with you, and emphasize those.
Stay true to the melody while making the song your own through personal interpretation!
About the instructor

Juliet Russell est chanteuse, compositrice, coach vocale et cheffe de chœur. Elle a à cœur d'aider les individus et les communautés à développer leur voix et leur créativité. Coach vocale sur The Voice et The Voice Kids d'ITV et sur le Michael McIntyre’s Big Show de la BBC, Juliet a également travaillé avec des artistes lauréats de Grammy, Brit, MTV Europe et MOBO Awards. Elle a collaboré et joué avec des artistes novateurs comme Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal et Ringo Starr. En 2015, avec le soutien de l'Arts Council of England, elle a mené en tournée son album Earth Meets Sky, réunissant musiciens locaux et chœurs communautaires pour créer dix concerts uniques à travers le Royaume-Uni. On lui commande régulièrement de nouvelles pièces chorales et des arrangements vocaux, et elle s'est produite à l'échelle nationale et internationale. Attachée au développement des artistes, Juliet accompagne et coache des artistes émergents, en travaillant avec des sociétés de management, des maisons de disques et d'édition ainsi qu'avec des artistes indépendants. Elle possède un studio vocal en plein cœur de la vibrante Brick Lane à Londres. Juliet a été directrice artistique fondatrice de Sense of Sound et directrice créative de Sing Up Greenwich et de Sing Late au V&A. Elle dirige le Portobello Live Choir, un chœur communautaire de l'ouest de Londres, et le chœur professionnel Assemble, et elle est formatrice pour le programme Singing for Lung Health de la British Lung Foundation. read more




