Digitación
Lesson time: (4min 10sec)
John O'Neill te muestra cómo sostener el saxofón con los dedos relajados y curvados, como si sujetaras una pelota de tenis, y con qué suavidad presionar las llaves.
Course preview
This lesson is part of the course The Saxophone Method Vol. 1: Técnicas fundamentales
Watch a preview of the full course below.
Lesson transcript:
Fingering Techniques for Saxophone
When it comes to fingering, I generally tell my students to imagine that they're holding a tennis ball in each hand. This is important because I want the fingers to be:
- Nicely curving
- Not flat
- Not contracted like claws
- Just gently curving
Visualization of Proper Fingering
Let me demonstrate what I mean by this.
- If I'm fingering a low C and I take my hands off the saxophone, one after the other, you'll see that you could fit a tennis ball into my hand.
- The same applies to my left hand; if I lift it up, you can see that a tennis ball would fit comfortably there.
Key Insight: The fingers must be gently curving. Let the springs do the work for you!
Understanding Key Pressure
All keys operate on a spring mechanism, which means:
- If you relax, the spring will push your finger away from the key.
- Many beginners make the mistake of pressing much too hard and applying excessive pressure.
If the saxophone is well-adjusted (which it should be if it's new, and ideally in good condition if it's secondhand), you only need to use very moderate pressure to ensure that the pad seals correctly.
Important Note: If pressing hard is necessary to make a note sound, this is a sign that the instrument is not in good adjustment. You should take it to a technician for adjustments.
The Right Approach to Key Action
Rather than thinking about pressing down, consider allowing the springs to do the work by pushing your fingers away from the keys.
- As you play, notice how my fingers stay very close to the keys, touching or almost touching.
- It's a very light action, similar to a hammer action initiated at the knuckle joint.
Common Mistakes in Finger Positioning
I often see players using flat fingers, in this kind of position:
- This is not good!
- You will never be able to play quickly with your hands in that position.
Remember: Curve your fingers gently.
The Importance of Relaxation
As I mentioned earlier about the neck and shoulders, it's virtually impossible to have relaxed hands and fingers if your arms, neck, and shoulders are tense.
- It's crucial to stand correctly:
- Get your shoulders relaxed.
- Keep your neck relaxed.
This allows your wrists, hands, and fingers to be relaxed while playing.
Practice Tips for Fingering
One last point about fingering relates to your practice habits:
- Practice slowly.
- Playing at a slower tempo helps to relax your fingers.
- Trying to play too fast too quickly can encourage tension in your fingers.
Surprisingly, by practicing more slowly, you'll actually be able to play faster. I know that sounds strange, but it's true.
About the instructor

John O'Neill es el saxofonista detrás de The Jazz Method for Saxophone, la serie de Schott que ha enseñado a improvisar a toda una generación de intérpretes en todo el mundo. Publicada por primera vez en 1991, sigue siendo uno de los métodos de jazz más vendidos jamás escritos, junto a sus métodos complementarios para clarinete y flauta.Llegó al saxofón a los veinte años, mientras estudiaba francés y alemán en el Trinity College de Oxford, tras escuchar a John Coltrane. Después estudió con el gran tenor británico Don Rendell y aprendió improvisación con Lee Konitz, Warne Marsh y Peter Ind, herederos directos del legendario maestro Lennie Tristano. Músico profesional desde 1979, está especializado en jazz y bossa nova y ha tocado en las principales salas de Londres, incluido el Ronnie Scott's, además de componer música para cine, televisión, teatro y danza.Profesor titulado con décadas de experiencia, John ha enseñado saxofón, clarinete y flauta de forma privada y en escuelas, en el curso de jazz del Trinity College of Music de Londres y en cursos de verano en España y la República Checa. Sigue actuando y enseñando desde su casa en el norte de Londres. read more




