Pflege deines Saxofons

John O'Neill
John O'Neill

Lesson time: (5min 54sec)

John zeigt dir, wie du dein Saxofon mit einem Tuch und einem Durchziehwischer reinigst. Er zeigt dir, wie du das Instrument richtig verstaust, und verrät clevere Kniffe, damit dein Saxo gut funktioniert und lange hält.

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This lesson is part of the course The Saxophone Method Vol. 1: Grundlagentechniken
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Lesson transcript:

Caring for Your Saxophone

Cleaning the Mouthpiece

What's important is to clean out the inside of the mouthpiece with a tissue.

  • While you're playing, your saliva will accumulate in the mouthpiece if you leave it there.
  • Over time, all kinds of gunge accumulates, which is not very hygienic.
  • A simple thing to do when you finish playing is to get a tissue and clean out the inside of the mouthpiece.
  • Keep a few tissues in your case so that you're always prepared for this.

Removing Moisture

  1. Remove the crook and then remove the moisture from the inside of the saxophone using a pull-through.

    • This is a pull-through; they have different designs, some with brushes.
    • The way it works: there's a weight on the end. You drop that weight into the bell, and as it comes out the other end, you pull it through.
    • This process removes the excess moisture from inside the saxophone, allowing it to be put back in its case.
  2. Don't forget to use your end plug.

    • The end plug protects this part of the saxophone.
    • Sometimes people forget about them or lose them, but they are a crucial part of the equipment.
    • The end plug ensures that the saxophone fits snugly inside the case.

Avoiding Cleaning Mops

One thing that's marketed for the inside of your saxophone are these big cleaning mops.

  • I really don't recommend using those, as they sit inside the instrument wet.
  • The whole point of a cleaning system is to get the moisture out of the saxophone; please avoid those cleaning mops.

Maintaining the Crook

  • You can use a brush for the crook; a simple bottle brush will do.
  • You don't necessarily have to do this every time you play, but it's good to do occasionally.

Dealing with Sticky Keys

A common problem, particularly with smaller saxophones like the alto and soprano, is a sticky G sharp key.

  • This is the G sharp key.
  • Unlike most keys, which are naturally open, this one remains shut most of the time.
  • The low C sharp key is connected to it, so when you move the G sharp key, the low C sharp key moves too.

Preventing and Fixing Stickiness

  • To prevent the G sharp key from sticking:

    • Get a small piece of card (very thin) and place it under the key after playing. This will help lift it and prevent stickiness.
  • If you already have a sticky G sharp key or any other sticky keys:

    • The best way to clean them is with lighter fluid.
    • Use a cotton bud to apply a little lighter fluid and clean around the pad and tone hole.

Additional Cleaning Tips

  • Use a soft cloth to keep the outside of the saxophone clean.

    • Be cautious with products; usually, a soft cloth is all you need.
    • For marks, just moisten the cloth slightly to remove them.
  • For hard-to-reach places, again, use a cotton bud.

    • They fit nicely in small areas underneath the keys.

General Care of Your Instrument

Please try to keep the instrument in its case.

  • Often, people leave the instrument on a stand, thinking it's easy to grab and play.
    • However, if you leave your saxophone assembled for long periods, it can lead to several issues:
      • Wearing down of the cork if the mouthpiece is left on.
      • The crook may not fit properly, leading to potential tightness.
      • The instrument collects dust and dirt and becomes more vulnerable to damage, like being knocked off its stand.

It doesn't take long to assemble your saxophone. Once you're used to it, you can put it together in a minute or two.

So please get into the habit of storing your instrument back in its case!

About the instructor

John O'Neill
John O'Neill

John O'Neill ist der Saxofonist hinter The Jazz Method for Saxophone, der bei Schott erschienenen Reihe, die einer ganzen Generation von Musikern weltweit das Improvisieren beigebracht hat. Erstmals 1991 veröffentlicht, zählt sie neben seinen begleitenden Methoden für Klarinette und Flöte bis heute zu den meistverkauften Jazz-Lehrwerken, die je geschrieben wurden.Zum Saxofon kam er mit zwanzig Jahren, während er am Trinity College in Oxford Französisch und Deutsch studierte, nachdem er John Coltrane gehört hatte. Anschließend studierte er beim großen britischen Tenoristen Don Rendell und lernte Improvisation bei Lee Konitz, Warne Marsh und Peter Ind, den direkten Erben des legendären Lehrers Lennie Tristano. Seit 1979 professioneller Musiker, ist er auf Jazz und Bossa Nova spezialisiert und hat in Londons führenden Clubs gespielt, darunter im Ronnie Scott's, und komponiert zugleich Musik für Film, Fernsehen, Theater und Tanz.Als ausgebildeter Lehrer mit jahrzehntelanger Erfahrung hat John Saxofon, Klarinette und Flöte privat und an Schulen unterrichtet, im Jazz-Studiengang des Trinity College of Music in London sowie bei Sommerkursen in Spanien und der Tschechischen Republik. Von seinem Zuhause im Norden Londons aus tritt er nach wie vor auf und unterrichtet. read more

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25 lessons (2h 10m)
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