Lektion 31 von 36MusikproduktionBeginner

Arrangement View

Madeleine Bloom zeigt, wie man aus der Session View in die Arrangement View von Ableton aufnimmt und dort dann seine Clips bearbeitet.

Teil des KursesSonic Bloom präsentiert: Ableton Live 9 Essentials36 Lektionen (5h 28m)

Diese Lektion ist Teil des vollständigen Kurses. 1 Lektion ist gratis.

ab13 $/Monat

Zum Kurs
Jederzeit kündbar30 Tage Rückgaberecht
Madeleine BloomDein GuruMadeleine Bloom

Das steckt im Kurs

36 Lektionen (5h 28m) · 1 gratis
    • 01. Hüllkurven (Automation & Modulation)

      13:43

    • 02. Arrangement View

      Du bist hier

      17:08

    • 03. Exportieren

      6:43

Transkript der Lektion

Recording from Session View to Arrangement View

Now it's time to start recording from Session View into the Arrangement View.

Switching Views

You remember that you can switch between the views with the Tab key or, of course, with those buttons. Tracks don't need to be armed when you want to record into the Arrangement View. It's actually better to avoid this because you can prevent recording over clips.

So, I'm going to turn this one off.

Launching Clips

If you have everything looking like I do, it might be a bit tricky to launch everything in time. Here are a couple of approaches we could take:

  • Rearranging Everything in Scenes: We could rearrange everything by copying and pasting or duplicating and moving.

  • Using Capture Function:

    1. Stop the clips you want to record (in this case, the bass and the mbira).
    2. Right-click and select Capture and Insert Scene.
    3. This creates a scene with all the clips that were previously launched and are now launched.

You can continue doing this as long as you like. I'm going to keep it like this and start the clips individually when I want them differently.

Global Quantization

Now all we need to do is launch what we want to launch first. In this case, we should check the Global Quantization because it matters for when the clips will be launched.

  • You can keep it at one bar, but then the next clip would be launched a maximum of one bar later.
  • Or you can set it to two bars, four bars, or eight bars.

If you want to do some more complex arrangements, you can use the other settings. After adjusting this, all we have to do is click on Global Record to start recording.

Stopping the Recording

You can stop the recording by either clicking on Stop or pressing the space bar. Then, switch over to the Arrangement View using the Tab key.

  • Here, you can see that clips have been recorded, along with some automation.
  • It's still greyed out because the clips in Session View are still in launch mode.

To go back to the arrangement, click the Back to Arrangement button.

Playing Back the Arrangement

Now, all the launch clips have been recorded, including the automation, the changes in mixer and device controls. This also includes any tempo and time signature changes written into the scenes.

Playing the Arrangement

Now we can simply play it.

  • The arrangement will play back; no clips in Session View are affected.
  • The Arrangement View works similarly to the sample display in the MIDI editor in the clip view.

Zooming and Navigation

  • You can drag the mouse down to zoom in and up to zoom out, as well as scroll left and right.
  • Use the plus and minus keys for zooming.
  • The Follow Switch allows the arrangement to follow along.

The transport always starts at 1.1.1, except when you add an insert marker. For instance, you could add one here, causing playback to start from this position.

Scrubbing and Looping

  • If you'd like to go back to 1.1.1 again, just double-click on the stop.
  • Scrubbing is also possible according to the global quantization settings. If you switch the global quantization to none with Command (or Control) + 0, you can skip anywhere you want.

Loop Braces can be adjusted:

  • The start can be adjusted up at the top and the length can be modified as well. You can drag or click in the middle to move it.

Punch In and Out Functionality

The Punch In/Out function allows you to specify where to start and stop recording.

  • The punch in setting is set with a loop start and the punch out is set with the end.
  • You can turn this on to re-record what you've done.

Editing works just like in the clip view.

Working with Clips

You can adjust, copy, and paste clips in the Arrangement View just like in the Session View:

  • Adjusting Clips: Set the end of the clip properly by dragging things around.
  • Grid Settings: Use Control (or Command) + 1, 2, 5 to narrow or widen the grid, or to toggle grid options.

Temporary grid disabling is possible by pressing Alt on Windows and Command on Mac during an action.

Consolidating Clips

One function that isn't available in the Session View, but only in the Arrangement View, is consolidating:

  1. Select a clip.
  2. Right-click and click on Consolidate.

This creates a new clip that's not looped but is a specific length.

Freezing Tracks

If you're using a lot of effects and MIDI instruments, especially VST or AU units, CPU usage can increase.

  • You can freeze tracks to save CPU resources.
  • Right-click on the track title and choose Freeze Track. This renders audio files for all the session clips along with effect tails.

Unfreezing and Flattening

To edit again, right-click on the track title and choose Unfreeze Track. If you want to keep the audio, you can choose Flatten.

  • Be cautious: If you flatten a track, everything is replaced by an audio track.
  • It's advisable to Save Live Set As to maintain a backup.

Automation Editing

As you've seen, you have automation recorded in the clips. To edit this:

  1. Zoom In to adjust breakpoints.
  2. Move, delete, or use punch in/out to re-record the automation.

Showing Automated Parameters

You can show automation for multiple parameters simultaneously by clicking the little plus sign. Here, for example, you can see the delay automation alongside the track panning.

Applying Fade-Out Effects

If you wish to add a fade out:

  1. Turn on the grid.
  2. Click to create breakpoints and drag them down to create a linear fade.

This can also be adjusted or drawn in for more flexibility.

Conclusion

The Arrangement View allows you to adjust all mixer settings and device settings uniformly, as the tracks share their mixer settings.

This concludes the introduction to working with Arrangement View in your session. Keep practicing, and you'll master recording and editing in no time!

13 $/MonatAbonnement

36 Lektionen

5 Std. 28 Min. strukturierte Videolektionen

Erweiterte Videofunktionen

Verlangsamen, Passagen loopen, mitlesen

Handy, Tablet & Desktop

Üben, wo du willst

100 % Zufriedenheitsgarantie

30 Tage Geld-zurück-Garantie

Lern deinen Guru kennen

Madeleine Bloom

Madeleine Bloom

Madeleine Bloom ist eine klassisch ausgebildete Musikerin, Produzentin, Multiinstrumentalistin und Sängerin aus Berlin und Gründerin des Labels Quixotica Records. Sie studierte elektroakustische Musik am Franz-Liszt-Konservatorium bei Prof. Robin Minard und überträgt diese Methoden auf ihren eigenen Mix aus Electronica-Pop. Ihre Musik wurde von den Produzenten Guy Sigsworth und Rupert Hine gelobt und brachte ihr eine persönliche Einladung von Imogen Heap ein, deren Tour sie eröffnete.

Als ehemalige technische Support-Mitarbeiterin von Ableton gründete sie 2012 die Online-Plattform Sonic Bloom, auf der sie in Kursen, Workshops und Einzelstunden Ableton Live und Musikproduktion unterrichtet. Sie hat Menschen auf der ganzen Welt mit Ableton Live, Push und Max for Live sowie mit Audio Engineering, Musiktheorie, Komposition und Sounddesign geholfen.

Madeleine Bloom
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Lerne von Madeleine Bloom und Hunderten anderen

Unbegrenzter Zugriff, Geld-zurück-Garantie

13 $/Monat

Abonnement