Eine weitere Rhythmusspur hinzufügen

John Watson
John Watson

Lesson time: (2min 50sec)

Lesson transcript:

Adding a Percussion Layer to Your Track

Okay, so I wanted to add one more percussion layer to my track here.

Reconnecting the Drum Machine

  • I'm going to replug back in the drum machine like so.
  • I'm just thinking about getting maybe a clap or a snare on the backbeat.

Existing Elements

  • I've got the kicks on every downbeat.
  • I've got some percussion.
  • I found this little pattern here.

Let me just arm the track so that we can hear it.

Adjusting the Kick Drum

I've already got a kick drum programmed in on a previous beat.

  1. I'm going to select the kick like so.
  2. I'm going to take down the level so that we're no longer hearing it.
  3. I also need to match the tempo here.
  • I've got 123 beats per minute.
  • I'm just going to scroll down and make sure that we're matching the same tempo.

There's another little sound in here that I don't want as well. So I'm just going to select it again and then turn down the level.

Current Elements

Really all we've got now is a little hi-hat and a clap, and that should work quite nicely.

Creating a Fresh Track

What I'm going to do here is come over to the previous drum track that I did again:

  • I just duplicate it like so.
  • I'm going to delete the clip inside.
  • Now, I have a fresh track to record that part on.

Recording the New Layer

What I'm going to do is click record again.

  • I get eight counts before I need to come in, two bars.

Okay, so I'm fairly confident I've got something in there. I'll have a little seat and then have a little tweak.

Listening Back

  • I'll set the metronome up and we'll just have a little listen back.
  • The first part is sounding okay.

Let's just loop that up here.

  1. I'm going to loop two bars.
  2. That sounds fine to me.

I'm just going to turn the clip volume up a little bit as well.

Finalizing Elements

Okay, so that there is going to be our claps.

I'm pretty happy now that we've got pretty much all the elements that we need to start structuring the track.

About the instructor

John Watson
John Watson

Nach einem Praktikum bei Dave Allen, dem Produzenten von Depeche Mode und The Cure, ließ sich John dazu inspirieren, in London Music Technology zu studieren. Seine Musikkarriere nahm nach einem erfolgreichen Vertrag bei CookShop Records Fahrt auf, wo er 9 Singles und 2007 ein Album veröffentlichte, das begeisterte Kritiken von Q, Uncut und Lowdown Magazine sowie Airplay bei XFM und Radio One erhielt. John begann seine Ausbildung zum Tontechniker 2005 im Bonafide-Studio, wo er sein Können verfeinerte, und gründete noch im selben Jahr Jackdaw Recordings. Er hat mit vielen erfolgreichen Künstlern zusammengearbeitet und begann 2007, für den Pop-Musiker Patrick Wolf zu spielen, mit Auftritten in führenden Häusern in Großbritannien und international – darunter The Astoria und das Shepherds Bush Empire. Von seinem Londoner Studio aus schreibt John heute Musik, mit zwei weiteren Veröffentlichungen bei CookShop, macht Tontechnik für namhafte Künstler und gestaltet Sounddesign für TV-Spots, Film, Theater und Unternehmensvideos. Genau diese seltene Mischung aus Songwriter, Produzent und aktivem Studiotechniker bringt John in seinen Unterricht ein. In Creative Composition & Production in Ableton Live und Creative Sampling & Production in Ableton Live zeigt er dir, wie er aus rohen Ideen fertige, veröffentlichungsreife Tracks macht – das Schreiben, das Sampling, das Sounddesign und das praktische technische Know-how hinter einer professionellen Platte. read more

What's included?

14 lessons (1h 38m)
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