Drumazon-Patterns mit einem externen Instrument aufnehmen und abspielen
Lesson time: (10min 36sec)
Mark Burnett zeigt, wie man Drumazon-Schlagzeugpatterns in Ableton Live programmiert, Noten mit dem Stiftwerkzeug einzeichnet und von externem Equipment wie dem AKAI MPD32 und dem Push 2 aufnimmt.
Course preview
This lesson is part of the course Ableton Live erweitern: der ultimative Leitfaden zur Nutzung externer Geräte
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Creating a Simple Drum Pattern in Ableton Live
Setting Up the Drum Machine
"Okay, so now that we've got that set up, let's just create a really simple pattern in Live using our drum machine and have a play around with it and see how that goes."
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Create an Empty MIDI Clip
- Go over to the track where the drummers are located.
- Double click to create an empty MIDI clip.
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Convenient Sounds
- Notice that the sounds assigned to the empty MIDI clips correspond with our drum rack.
- The drum rack added to the instrument rack enables us to program on the Push in drum programming mode, resulting in appropriately labeled MIDI notes in the piano roll at the bottom.
Programming the Pattern
-
Draw in Notes
- Using the pencil tool, draw in a simple pattern, perhaps something like this.
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Playback
- Play it back and hit record to live overdub.
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Add Hi-Hat Pattern
- Add a little bit of a hi-hat pattern as well.
-
Quantization
- Go into the MIDI editor to tidy up using quantization:
- Select all notes using Command + A.
- Quantize notes using Command + U.
- This may make it quite boring and straight, but for this exercise, we just want to play around with some mappings.
- Go into the MIDI editor to tidy up using quantization:
Testing the Mappings
- Play and Adjust Volumes
- Test out the mappings created.
- Use the faders at the top to adjust volumes for each sound:
- Kick
- Snare
- Rim Shot
- Clap
- Tom
- Open and Closed Hats
- Ride
Using Low Tack Tape for Labels
- Labeling Sounds
- Use low tack tape to cover previous mappings.
- Use a Sharpie to put simple abbreviations:
- Bass Drum
- Rim Shot
- Snare Clap
- Low Tom
- Closed Hat
- Open Hat
- Ride
"These are fairly standard abbreviations for those sounds, but it doesn't matter what you use, as long as it makes sense to you."
Pitch Control and Decay
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Control Parameters
- Remember that we have pitch control on Bank A and decay settings on Bank B.
- Bring in sounds one at a time to demonstrate functionality:
- Adjust the volume, tune, and shorten the kick drum.
- Snare and rim shot adjustments.
-
Recording Automation
- By using the automation record, create variations within the pattern by manipulating parameters while recording.
Enhancing Your Pattern
- Using the Push
- As you explore, notice color on the various drum pads in Push.
- Play the drum sounds from Push.
- Program directly from Push, controlling the VST without having to look at the screen.
"We're using the software VST here as the engine, but we're using any kind of generic MIDI controller to augment that piece of software with a real tactile interface."
- Creating a New Pattern
- Quickly create a new pattern on the Push.
- Use the extended features that Push offers for programming.
"It's kind of replicating having a hardware drum machine."
Conclusion
You can see how easy it is to access various parameters, make quick changes, and take full advantage of your drum machine setup in Ableton Live. Enjoy experimenting and making creative adjustments!
About the instructor

Mark Burnett ist ein Ableton Certified Trainer, der seit über 14 Jahren mit Ableton-Produkten arbeitet. Als Produzent und DJ bei Funk'n Deep Records liefen seine Tracks auf großen Festivals sowie in Sets und Podcasts von Künstlern wie Carl Cox und Richie Hawtin, und er hat vor Tausenden von Menschen gespielt. Außerdem veranstaltet er große Events wie das Workhouse Project und studierte am Imperial College London. Sein Kurs behandelt den Einsatz von Ableton Live zum Aufbau von Live-Performances und eignet sich für Produzenten und Performer im Bereich elektronischer Musik, die ihre Show aus dem Studio auf die Bühne bringen möchten. read more




