So mappst du TR-09-Sounds auf externe Alesis-Drumpads

Mit
Mark BurnettMark Burnett zeigt, wie du ein Alesis Control Pad einrichtest, um TR-09-Sounds in Ableton Live zu triggern, sodass du den Drumcomputer wie ein Schlagzeug spielen kannst.
Das steckt im Kurs
24 Lektionen (3h 29m) · 2 gratis
01. Was du in diesem Kapitel lernst
1:18

02. Lass uns das Setup einrichten (MicroKorg und Novation Launch Control)
7:47

03. MIDI-CC-Nachrichten & Mapping des Novation LC auf MicroKorg-Parameter
18:19

04. Demo des bisherigen Setups
1:47

05. Taktile Effekte mit dem Kaoss Pad 3 hinzufügen
11:50

06. Das Kaoss-Setup abschließen
7:02

07. Zusammenfassung des Gelernten
4:23

08. Das Setup erkunden
3:54
Transkript der Lektion
Music Lesson: Setting Up MIDI Equipment
Introduction to the Alesis Drum Pad
"Right, so back to the table. Now, I've introduced an extra bit of kit here. This is an Alesis drum pad of some description; I forget the name exactly, Control Pad it's called.
Key Features:
- No built-in sounds: Outputs MIDI only.
- Connection: Very simple USB connection (MIDI in and out).
- Traditional MIDI: Has five-pin DIN for traditional MIDI connection.
"USB is a great way to handle MIDI because in and out on one cable just makes life a lot easier."
Current Setup Overview
- TR909: Great little selection of sounds.
- Control Limitations: The knobs are very tiny and polished.
"So we've added these knobs here. Using our routing in Live, we can now control the key parameters of these sounds using the much more touch-friendly and better illuminated controls on here."
Playing Like a Drum Kit
The last thing I wanted to add is the ability to actually play this drum machine like a drum kit.
- Introduction of Drum Pad: All I've done is plug it in so far.
Setting Up in Ableton Live
- Default Settings: Most channels will be set to receive MIDI from all ins.
- Process:
- Plug in your device and ensure it's recognized.
- Set preferences to activate the MIDI device.
"So all I need to do now is pull out my drumsticks and let's hit a few pads on here and see what happens."
Testing the Setup
-
Sounds:
- Kick
- Rim shot snare
- Clap
- Other drum sounds (low tom, closed hat, mid tom)
-
Device Features: This particular device has pages, allowing access to additional sounds.
"It's fairly responsive. It would be more responsive if I set the buffer in my Ableton Live to be a little bit shorter."
Live Jamming and Programming
- Interactivity: Control the volume and jam patterns.
- Pattern Creation:
- Start a new kick drum pattern.
- Program over the push.
- Adjusting Sounds:
- Fiddly adjustments: Use both the push and the controller for easier access.
"Okay, let's just have a listen to this snare."
Recording and Performance
- Hit record on the push.
"And I think there's like a really good example of the kind of benefits that this could have."
Benefits of Integration
- Static Beats vs Live Performance:
- Easier to program static beats, but challenging to program drum rolls and fills.
- Performing live adds complexity to fills.
"The ability to actually play fills in live stuff like snare rolls and just tom fills... is much easier."
Conclusion
In summary, we've combined:
- A hardware drum machine for sound.
- An external MIDI controller for extended access.
- A tactile interface (drum pad) for live performance.
"This kind of augmentations of hardware and software can have a significant impact."
Final Notes:
- Adapt your preferred musical interface (guitar, drums, bass, keys) to interact with almost any instrument.
- Ensure it accepts MIDI and is set up correctly inside Ableton Live for optimal performance.
This setup enhances fluid interaction and creative possibilities for musicians in a live setting.
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Mark Burnett ist ein Ableton Certified Trainer, der seit über 14 Jahren mit Ableton-Produkten arbeitet. Als Produzent und DJ bei Funk'n Deep Records liefen seine Tracks auf großen Festivals sowie in Sets und Podcasts von Künstlern wie Carl Cox und Richie Hawtin, und er hat vor Tausenden von Menschen gespielt. Außerdem veranstaltet er große Events wie das Workhouse Project und studierte am Imperial College London. Sein Kurs behandelt den Einsatz von Ableton Live zum Aufbau von Live-Performances und eignet sich für Produzenten und Performer im Bereich elektronischer Musik, die ihre Show aus dem Studio auf die Bühne bringen möchten.




























