Soloing & "flaming out"
Lesson time: (4min 40sec)
Tony Barba and Zach Lucas cover basic soloing strategies on saxophone, including using a strong, straight tone rather than hiding behind vibrato.
Course preview
This lesson is part of the course Brass Band Musicianship and Improvisation with Youngblood
Watch a preview of the full course below.
Lesson transcript:
Achieving a Strong Tone on Saxophone
When playing the saxophone, aim for a strong, solid tone. In youngblood music, we often refrain from using a lot of vibrato.
The Importance of Straight Tone
- A noticeable trend among many saxophone players is that they tend to hide behind vibrato during solos.
- When you're soloing, it's important to use a straight tone. This can add a lot of strength to your performance.
Exploring Creative Techniques
In addition to traditional playing, consider:
- Exploring methods similar to those used by guitarists, such as finger tapping.
- There's no limitation to being restricted to saxophone players for inspiration. As Nat mentioned in his video, creativity can come from various sources.
Practice and Experimentation
- Spend time experimenting in the practice room.
- Try to find unique sounds that aren't just typical notes:
- Use overtones.
- Wiggle your fingers on a note to discover different effects.
- Techniques you've honed can produce unusual sounds, reminiscent of bagpipes.
Engaging the Audience
Playing in a group offers an opportunity to make a strong statement during your solo:
- Begin with a bold introduction.
- Quoting familiar songs (often older hip hop or funk from the 70s, 80s, 90s) can engage the audience and keep them involved.
Shifting Your Mindset
- Approach your performance not merely as a jazz concert but as an experience for the audience.
- Remember that the crowd enjoys dancing, sweating, and the feeling of communal enjoyment, not necessarily sitting quietly in a jazz club.
Balancing Jazz with Audience Appeal
- While you can certainly incorporate jazz elements, it's beneficial to think outwardly, considering what the audience wants.
- Maintain a balance between jazz techniques and engaging performance strategies to keep the energy high.
Conclusion
In bands like this, it's okay to break out and flame out during your solos. While jazz and bebop are wonderful tools to have in your arsenal, sometimes the best approach is to get creative and embrace the excitement of live performance.
About the instructor

Youngblood Brass Band fuse uncompromising New Orleans brass with hip-hop energy and lyricism. Drawn from Madison, Brooklyn, Minneapolis and Chicago, the ten-piece has toured the world since 2000 and collaborated with the likes of Questlove and Talib Kweli. They are equally at home leading a marching band through their own compositions and headlining a punk festival. On MusicGurus they break down their New Orleans-meets-hip-hop sound - how they compose and arrange for horns, the rhythmic and harmonic vocabulary that ties it together, and how to play a horn line as part of a tight section, including the full parts to their tune 'Brooklyn'. read more




