Toolkit for Improvement - Recording, Listening and Keeping a Practice Journal

With
Zach BrockZach Brock covers the universal habits that improve any player - recording yourself, keeping a practice journal, and deep listening to recorded and live music.
What's in the course
24 lessons (2h 35m) · 1 freeLesson transcript
Understanding Your Musical Development
The Importance of Recording Yourself
I also want to mention something that is really, really important for your development.
- Now, this could be on the written page or off the page, but it's crucial to record yourself.
- Some of you out there probably already do this, while others dread it and really, really can't stand to do it.
Embracing the Process
Recording can be a painful thing if you're not used to it. However, I promise you, if you continue to repeat the process of:
- Playing something,
- Recording yourself,
- Listening back,
It will become less and less painful. You'll gain a little bit of detachment each time and ultimately, you'll almost be able to develop an objective understanding of what you're doing.
Keeping a Practice Journal
- I would really urge you to keep a practice journal if you're not doing so already.
- I used to have notebooks filled with notes from all my teachers, classical, jazz, or any idea that popped into my head while practicing.
Eventually, I migrated to taking notes on my computer, and now I just use an app on my phone, which is synced. This allows me to access my notes even while on the go, like on an airplane.
What to Include in Your Journal
Your practice journal can include:
- Warm-ups that you use.
- Notes on specific scales, such as "Tuesday: Worked on G flat harmonic minor."
- Ideas for different bowing techniques.
Additionally, it can also encapsulate your most connected and exciting moments of musical development. For example:
- Notes after rehearsals or concerts,
- Observations after listening back to your playing,
- Insights gained from riding the subway, perfect for reviewing your previous gig.
Learning to Improvise
Learning how to improvise is much like learning a foreign language.
The Importance of Immersion
- Immersion is crucial for your development.
- You can't truly grasp the intricacies until you are surrounded by the sounds of the culture, which aids in getting correct pronunciations and idiomatic expressions.
Listen Voraciously
- It's essential to listen a lot. We often take music for granted; even those who profess to love it.
- With just a phone, you can access most of the history of recorded music, so use that!
Detailed Listening
However, different ways of listening are key. We're used to generalized and background listening, where music is always on, like in restaurants or during a jog.
Focused Listening Exercise
The type of listening that I recommend is detailed and focused.
- For example, take a favorite song and ask yourself:
- Have you really listened to the bass line?
- Can you vocalize the drum pattern?
- Do you know what chords are being played?
- Have you thought about dynamic shapes?
Consider the instrumental density: Maybe everyone is playing during the chorus, but other instruments might drop out during a solo or vocal section. Are you aware of these changes?
This level of listening is essential to develop as an improviser.
The Importance of Live Music
Live music is irreplaceable in your growth as a musician.
- While I may be biased as a performer, there are experiences from a live gig that you won't get from a recording.
- It doesn't need to be a famous artist or an idol; even local friends or family can inspire you.
Recording Your Experiences
Upon returning from a live outing, record your thoughts in your music journal.
- Live performances also offer insights into how musicians communicate on stage.
- This visual communication, how the drummer interacts with the bass player or how the keyboard player encourages the soloist, is vital for improvisers of all styles.
Practical Exercise: Analyze a Favorite Song
Take a song that you love and do the following:
- Write down in your journal how many instruments are in the band (including vocals).
- Listen to the song as many times as there are people in the group.
- Each time, focus on just one particular role in the music.
- Record your observations of that role.
Have fun with this exercise!
24 lessons
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Meet your guru

Meet your guru
Heralded as "the pre-eminent improvising violinist of his generation," Zach Brock is a violinist and composer whose music draws on the traditions of jazz, classical, world and popular music.
Zach received his first Grammy Award in 2017 for his work on Snarky Puppy's album Culcha Vulcha. His acclaim as a bandleader has grown through appearances at venues such as Carnegie Hall and festivals like "Tudo e Jazz" in Brazil, while his reputation as a sideman has spread through his work with legendary bassist Stanley Clarke, contemporary instrumental super-group Snarky Puppy, and jazz masters Phil Markowitz and Dave Liebman.
Zach has made ten recordings as a leader or co-leader and is the first violinist to record for the venerable Dutch jazz label Criss Cross. He has also represented the U.S. Department of State as a Musical Ambassador in the Solomon Islands, performed as a featured soloist for two Sundance Festival feature film scores, and is currently an Artist In Residence at Temple University in Philadelphia.
In his course you will learn to improvise on the violin straight from the source: how Zach approaches melody, rhythm and harmony, and how to start finding your own voice the way he has alongside Snarky Puppy and beyond.




































