Lesson 6 of 26Music ProductionIntermediate

Rejected versions - concepts

1:58

Paul Whalley walks through what happens after the writing session - taking your time and seeing each version through before choosing the final one.

Part of the courseProduce a killer pop track26 lessons (1h 42m)

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Paul WhalleyYour guruPaul Whalley

What's in the course

26 lessons (1h 42m) · 1 free
    • 01. Introduction to the course

      1:26

    • 02. Hooks and Parts - concepts

      1:40

    • 03. Hooks and Parts

      Free lesson

      15:54

    • 04. Arrangement & intro of the song - concepts

      1:14

    • 05. Arrangement & intro

      5:31

    • 06. Rejected versions - concepts

      You are here

      1:58

    • 07. Rejected versions

      4:07

Lesson transcript

Welcome Back!

In this section, we're going to look at the writing process of the song and what to do after the writing session with the artist or writer. When you're sitting there trying to work out your ideas, I've found there are three really important things to keep in mind:

1. Take Your Time

  • Make sure your ideas are thought out.
  • Avoid just throwing things together.

2. See Your Ideas Through to the End

  • I usually spend about half a day on each version.
  • In total, we spent about three weeks on this whole song to achieve the finished product.
  • This approach allows for well-thought-out ideas that might be used in the final version.
  • It helps you discover those little parts that, when ready to be used, are there at your disposal.

3. Don't Be Afraid of Discarding Versions

  • You might not get it right the first time every time.
  • However, because you've adhered to the first two points, taking your time and seeing your ideas through, you may find some gems in the discarded versions that help define the record.

Now, we're going to walk through one of the versions that didn't make the final cut. We'll explore why some parts didn't make it, why we didn't end up using them, and which ideas did end up making the final cut and became important parts of the whole record in the end.

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Meet your guru

Paul Whalley

Paul Whalley

Paul Whalley is a multi-instrumentalist, producer and songwriter with a deliberately broad sound. He spent years on the road as a touring session musician with artists including Mumford & Sons and Ellie Goulding. Classically trained, he holds an undergraduate degree in instrumental performance and a Master's in composition from the Guildhall School of Music. Since moving from touring into production and songwriting he has worked with artists such as NAO, Wretch 32 and Nina Nesbitt, and played on top-40 records around the world, including Little Mix's 'Shout Out to My Ex'. He is based at Tileyard Studios in north London, where he writes and produces for major UK labels and develops new artists. On MusicGurus he and Emmi Green deconstruct a pop record from scratch - every arrangement and production decision laid bare - for songwriters and producers who want to hear how hit records are really built.

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