Rejected versions - concepts

With
Paul WhalleyPaul Whalley walks through what happens after the writing session - taking your time and seeing each version through before choosing the final one.
What's in the course
26 lessons (1h 42m) · 1 free
01. Guitar part - concepts
1:37

02. Guitar part
4:58

03. Vocals - concepts
1:22

04. ASSIGNMENT: Recreate the guitar production
0:37

05. Vocals
9:42

06. CHALLENGE #1: BUILD THE VOCAL ARRANGEMENT AND HOOK

07. Backing vocals
4:07

08. Keys and synths - concepts
0:54

09. Keys & synthesizers
9:38

10. Bass - concepts
1:01

11. Bass
5:24

12. Drums - concepts
0:58

13. Drums
9:49

14. ASSIGNMENT: Recreate the drum production
0:32

15. Effects and Atmospheric parts - concepts
1:09

16. Effects and Atmospheric parts
5:53
Lesson transcript
Welcome Back!
In this section, we're going to look at the writing process of the song and what to do after the writing session with the artist or writer. When you're sitting there trying to work out your ideas, I've found there are three really important things to keep in mind:
1. Take Your Time
- Make sure your ideas are thought out.
- Avoid just throwing things together.
2. See Your Ideas Through to the End
- I usually spend about half a day on each version.
- In total, we spent about three weeks on this whole song to achieve the finished product.
- This approach allows for well-thought-out ideas that might be used in the final version.
- It helps you discover those little parts that, when ready to be used, are there at your disposal.
3. Don't Be Afraid of Discarding Versions
- You might not get it right the first time every time.
- However, because you've adhered to the first two points, taking your time and seeing your ideas through, you may find some gems in the discarded versions that help define the record.
Now, we're going to walk through one of the versions that didn't make the final cut. We'll explore why some parts didn't make it, why we didn't end up using them, and which ideas did end up making the final cut and became important parts of the whole record in the end.
26 lessons
1h 42m of structured video lessons
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Meet your guru

Meet your guru
Paul Whalley is a multi-instrumentalist, producer and songwriter with a deliberately broad sound. He spent years on the road as a touring session musician with artists including Mumford & Sons and Ellie Goulding. Classically trained, he holds an undergraduate degree in instrumental performance and a Master's in composition from the Guildhall School of Music. Since moving from touring into production and songwriting he has worked with artists such as NAO, Wretch 32 and Nina Nesbitt, and played on top-40 records around the world, including Little Mix's 'Shout Out to My Ex'. He is based at Tileyard Studios in north London, where he writes and produces for major UK labels and develops new artists. On MusicGurus he and Emmi Green deconstruct a pop record from scratch - every arrangement and production decision laid bare - for songwriters and producers who want to hear how hit records are really built.






















