Minor 7b5/7b9

With
Chris HaighHere is a pair of chords which often occur together. They look very complicated, but are actually quite easy to deal with. You will come across them in tunes such as Autumn Leaves, and Black Orpheus (Morning of the Carnival)
What's in the course
28 lessons (1h 46m) · 1 free
01. Diminished chords
6:10

02. Assignment: diminished
0:17

03. Augmented chords
3:48

04. Assignment: augmented chords
0:19

05. Minor 7b5/7b9
You are here2:24

06. Assignment m7b5/7b9
1:15

07. Slash and sus chords
6:18

08. Assignment: slash and sus chords
0:18

09. Substitutions and playing outside
7:21

10. Assignment: playing outside
0:29
Lesson transcript
Understanding Min 7B5 and 7B9 Chords
In this chapter, we're going to be looking at a pair of chords that often come together: Min 7B5 and 7B9.
They may look complicated, but they are actually quite easy to deal with. You'll come across them in tunes such as Autumn Leaves and Black Orpheus. These chords often occur in minor key songs.
Example in G Minor
For example, in the key of G minor:
- Instead of the typical minor progression (2-5-1):
- A minor 7, D7, G minor,
- you might encounter:
- A minor 7 flat 5, D7 B9, to G minor.
Minor 7 Flat 5 Chord
First, let's look at the minor 7, flattened fifth.
- This chord is an A minor 7 with the fifth flattened.
Here's how it breaks down:
- A minor 7: (show chord)
- A minor 7 with the fifth flattened: (show chord)
- D7, B9: (show chords)
Now, regarding D7, the ninth is the eighth. When it's flattened, it becomes that.
Arpeggio and Scale
The arpeggio and the scale will be as follows:
The reason these chords work well together is that their scales coincide, as I'll demonstrate with the chords.
Riff Example
Here's a riff you could use over these two chords.
- It's not necessary to follow the same scale through the sequence.
- Instead, you can use a separate scale or arpeggio for each chord.
Alternative Approach
Another approach to these chords is to play the minor blues scale of the I chord, which is G minor.
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Meet your guru

Meet your guru
Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.
He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.
Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.
He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.






























