Lesson 15 of 28ViolinIntermediate

Minor 7b5/7b9

2:24

Here is a pair of chords which often occur together. They look very complicated, but are actually quite easy to deal with. You will come across them in tunes such as Autumn Leaves, and Black Orpheus (Morning of the Carnival)

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28 lessons (1h 46m) · 1 free
    • 01. Diminished chords

      6:10

    • 02. Assignment: diminished

      0:17

    • 03. Augmented chords

      3:48

    • 04. Assignment: augmented chords

      0:19

    • 05. Minor 7b5/7b9

      You are here

      2:24

    • 06. Assignment m7b5/7b9

      1:15

    • 07. Slash and sus chords

      6:18

    • 08. Assignment: slash and sus chords

      0:18

    • 09. Substitutions and playing outside

      7:21

    • 10. Assignment: playing outside

      0:29

Lesson transcript

Understanding Min 7B5 and 7B9 Chords

In this chapter, we're going to be looking at a pair of chords that often come together: Min 7B5 and 7B9.

They may look complicated, but they are actually quite easy to deal with. You'll come across them in tunes such as Autumn Leaves and Black Orpheus. These chords often occur in minor key songs.

Example in G Minor

For example, in the key of G minor:

  • Instead of the typical minor progression (2-5-1):
    • A minor 7, D7, G minor,
    • you might encounter:
    • A minor 7 flat 5, D7 B9, to G minor.

Minor 7 Flat 5 Chord

First, let's look at the minor 7, flattened fifth.

  • This chord is an A minor 7 with the fifth flattened.

Here's how it breaks down:

  • A minor 7: (show chord)
  • A minor 7 with the fifth flattened: (show chord)
  • D7, B9: (show chords)

Now, regarding D7, the ninth is the eighth. When it's flattened, it becomes that.

Arpeggio and Scale

The arpeggio and the scale will be as follows:

The reason these chords work well together is that their scales coincide, as I'll demonstrate with the chords.

Riff Example

Here's a riff you could use over these two chords.

  • It's not necessary to follow the same scale through the sequence.
  • Instead, you can use a separate scale or arpeggio for each chord.

Alternative Approach

Another approach to these chords is to play the minor blues scale of the I chord, which is G minor.

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Chris Haigh

Chris Haigh

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.

He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.

Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.

He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.

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