Lesson 23 of 28ViolinIntermediate

Jean-Luc Ponty

5:11

Ponty was a French violinist who, in the 1960's, switched from classical violin to bebop

Part of the courseExploring Jazz Violin part 228 lessons (1h 46m)

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28 lessons (1h 46m) · 1 free
    • 01. Stuff Smith

      3:22

    • 02. Assignment: Stuff Smith

      0:17

    • 03. Jean-Luc Ponty

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      5:11

    • 04. Assignment: Jean Luc Ponty

      0:12

Lesson transcript

Lesson on Jean Luc Ponty

This lesson is about the playing of Jean Luc Ponty. He was a French violinist who:

  • Started off in classical music
  • Switched to playing bebop in the 1960s, excelling in this genre
  • Produced some of the best bebop violin recordings

After moving to America, he:

  • Played fusion and rock music with Frank Zappa
  • Worked with the Ma Vishnu Orchestra
  • Released a series of solo recordings from the 1970s to the present

Notable Techniques and Riffs

Many Jean Luc Ponty riffs are built around descending three-note motifs. These can be constructed on an arpeggio, and you can hear a lot of these during his:

  • King Kong and
  • Electric Connection period

Scale Variations

  • Here's a scale version.
  • Here's another variation.

It was possibly during his tenure with Mahavishnu Orchestra that he was inspired to create this Indian-sounding variation.

Interesting Variations

An interesting variation occurs when he:

  • Starts with a conventional scale
  • Switches halfway through to a whole tone scale

Here's another whole tone pattern.

Triplet Runs

Ponty often uses long, flowing triplet runs, such as this one.

  • Sometimes these triplets repeat in the same place rather than ascending or descending a scale.
  • Occasionally, the third note is varied.

Ponty frequently employs these simple repeated patterns as a launch pad for outside notes. For example, by raising the entire sequence by a semitone, you can also apply this to an arpeggio. Instead of returning safely after one of these phrases, you can keep going to infinity and beyond.

Effective Techniques

A very simple but effective Ponty technique is the double E string.

  • You can combine this with rhythmic chops and an ascent, which makes for a triumphant end to a solo.

The drone effect can also be achieved by using octaves.

Conclusion

Finally, here's a tune that brings together some mid-70s vintage Ponty licks. It's called Cosmic Voyager.

What fun!

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Meet your guru

Chris Haigh

Chris Haigh

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.

He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.

Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.

He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.

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