Lesson 1 of 26ViolinIntermediate

Welcome to the course!

2:13

Chris Haigh introduces his jazz violin course, covering swing, bowing, playing the melody and improvising with riffs and scales in the style of Grappelli, Stuff Smith and Jean-Luc Ponty.

Part of the courseExploring Jazz Violin part 126 lessons (1h 53m)

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Chris HaighYour guruChris Haigh

What's in the course

26 lessons (1h 53m) · 1 free
    • 01. Welcome to the course!

      You are here

      2:13

    • 02. Introduction and swing bowing

      Free lesson

      5:05

    • 03. Assignment

      1:34

    • 04. Varying the head

      7:37

    • 05. Assignment

      0:56

    • 06. Keeping your place

      10:36

    • 07. Assignment

      1:10

    • 08. Using scales with chords

      7:26

    • 09. Assignment

      0:29

    • 10. Playing by ear

      11:17

    • 11. Assignment

      0:53

Lesson transcript

Introduction to Jazz Violin Playing

Hi, I'm Chris Haig, and I'm going to be showing you some of the basics of jazz violin playing. This series of video lessons is based on the first half of my book, Exploring Jazz Violin, published by Schott.

Course Overview

We're going to be covering topics such as:

  • Swing
  • Bowing
  • Playing a "head" or melody
  • Developing the melody using riffs or licks
  • Using major, pentatonic, and blues scales

I will also be referring to specific artists, the pioneers of jazz violin, such as:

  • Stefan Grappelli
  • Stuff Smith
  • Jean-Luc Ponty

Assumptions

I'm going to assume that you know a small amount of classical theory but not jazz theory.

Resources

We're going to use jazz melodies designed to demonstrate particular ideas. You can use the backing tracks to practice the tunes themselves or to try out other ideas and improvisations.

Recommended Backing

  • Band in a Box (for your computer)
  • iReal Pro (a cheaper alternative for your phone)

With both of these, you can input chord sequences or download chord sequences to jazz standards. Without backing, you're never going to make much progress.

Developing Your Repertoire

As soon as you can, start developing a repertoire of standards, jazz standards that other jazz musicians will know. These will include tunes like:

  • Autumn Leaves
  • Diner Lady
  • Be Good
  • Honeysuckle Rose

Encourage Creativity

Never be afraid to try out your own ideas or develop the ideas that I give you. Extend and elaborate on what you learn from these videos. Jazz is all about freedom and self-expression, not just slavish copying of other musicians.

Importance of Listening

Finally, it's vitally important that you listen to as many jazz violin recordings as you can. They provide inspiration and illustrate the language you're trying to learn.

Now let's get down to the course!

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Meet your guru

Chris Haigh

Chris Haigh

Chris Haigh has been a professional fiddle player for 25 years, with experience covering many different genres. He has played on over 75 albums, working with artists including Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway and Steps.

He has played swing jazz with The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London, and the Quecumbar Allstars, and leads a 7-piece Soviet swing band, The Kremlinaires.

Chris gives lessons and workshops on jazz violin technique and has taught jazz violin at Middlesex, Brunel and Newcastle universities and Truro College. His writing credits include nine fiddle books, among them The Fiddle Handbook.

He also runs Fiddling Around (fiddlingaround.co.uk), probably the most comprehensive and widely visited source of fiddle information on the web.

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