Lesson 19 of 23SingingBeginner

Dynamics

Exploring louder and softer sounds to add light and shade to a song.

Part of the courseEssential Skills for Singers23 lessons (1h 55m)

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23 lessons (1h 55m) · 1 free
    • 01. Different registers

      3:48

    • 02. Rhythm

      4:18

    • 03. Articulators

      5:04

    • 04. Dynamics

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      3:22

Lesson transcript

Dynamics in Singing

Understanding Dynamics

So this lesson is about dynamics in singing. When we think about dynamics, it's really about moving from softer sounds to stronger sounds and back again, including everything in between.

  • Dynamic Range: This range can add a sense of movement, excitement, and enhance your emotional communication.

Experimenting with Dynamics

At this stage, when you're experimenting with your dynamics:

  • Use Your Perception: Focus on how it sounds and feels when you get louder.
  • Feel Your Way: Don't worry about specific instructions like, "do this with the body." Just experiment with what you perceive.
  • Recognize Differences: You know the difference between soft and loud without going breathy. That is the challenge.

You're not going to extreme volumes or extreme softness. Instead, you'll experiment with a gentle contour of slightly louder and slightly softer sounds, developing fine control.

Key Terms

Often you might hear a chord getting louder called a crescendo and getting softer called a diminuendo.

  • Crescendo: It sounds like it's building.
  • Diminuendo: It sounds like it's diminishing, getting smaller.

Exercises

It's very useful in our exercises to incorporate elements of dynamics.

Five Note Scale

Let's return to our five-note scale and add dynamics.

  1. First Exercise:

    • Sing "la" on the following pattern:
    • Pitch: la la la la la la la la la
    • Instruction: Don't make the top too shouty. Aim for a gradual increase in volume.

    Try it with me:

    • Together: La la la la la la la la la

    This should be gentle, not extreme.

Soft Singing Challenge

Sometimes, when I ask people to sing more softly, they immediately get breathy.

  • What to Avoid:
    • Incorrect Example: "la la la la la la la la la" (breathy and abrupt changes).

At this stage, we'll work on building volume gently and bringing it back down.

  1. Try Together:

    • I will sing first:
    • Count: "Three" and then sing: la la la la la la.

    Your Turn: Have a go!

Next Exercise: "Oo"

Now we're going to try it on an "oo." This might be harder to control, and you may feel a slight loss in pitch accuracy.

  • Count: Three and then sing: "oo."
  • Together: Let's do it and focus on swelling a little bit in the middle.

Your Turn: Good on your own!

Conclusion

Now that you've practiced these exercises, don't worry if it takes some time. Many of these exercises are designed to help you improve, and it will get easier.

Final Tips

  • Practice different vowel combinations and consonant sounds to see what works best for you.
  • Remember: Don't go to extremes. Focus on gentle builds and softening (diminuendo) at the end without going breathy.

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Meet your guru

Juliet Russell

Juliet Russell

Juliet Russell is a singer, composer, vocal coach and choir director. She is passionate about supporting individuals and communities to develop their voices and creativity.

A vocal coach on ITV’s The Voice, The Voice Kids and BBC’s Michael McIntyre’s Big Show, Juliet has also worked with Grammy, Brit, MTV Europe and MOBO award winning artists. She has collaborated and performed with innovative artists including Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal and Ringo Starr.

In 2015, supported by the Arts Council of England, she toured her Earth Meets Sky album, with local musicians and community choirs to create ten unique performances throughout the UK. She is regularly commissioned to create new choral pieces and vocal arrangements and has performed nationally and internationally.

Committed to artist development, Juliet mentors and coaches emerging artists, working with management, record and publishing companies as well as independent artists. She has a vocal studio in the heart of London’s vibrant Brick Lane.

Juliet was a founding artistic director of Sense of Sound and creative director of Sing Up Greenwich and Sing Late at the V&A. She leads the Portobello Live Choir, a community choir in West London, Assemble professional choir and is a trainer for the British Lung Foundation’s Singing for Lung Health programme.

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