Lesson 5 of 23SingingBeginner

Intro to 5 note major scale

Basic explanation of pitch and some exercises to develop pitch accuracy. Juliet shows us how to practice using 5 note major scales.

Part of the courseEssential Skills for Singers23 lessons (1h 55m)

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23 lessons (1h 55m) · 1 free
    • 01. Intro to 5 note major scale

      You are here

      3:34

    • 02. Call and response pitch exercises (female)

      2:16

    • 03. Call and response pitch exercises (male)

      5:41

    • 04. Call and response pitch exercises (both)

      6:01

Lesson transcript

Singing for Pitch Accuracy

Obviously, one of the goals when singing is to sing in tune. We call that having pitch accuracy, which means you're hitting the notes correctly. This is also known as intonation.

Developing Intonation

Intonation is developed really by two things:

  • Ear training: You learn to recognize the notes.
  • Motor skills: More importantly, the more you practice and build up these skills, the more you work your voice. This helps develop fine motor skills that are essential for your singing voice.

The Major Scale Exercise

What we're going to work with first is the first five notes of a major scale. You might recognize this tune because it goes:

(add musical reference here)

So, if I add: You might recognize the beginning of EastEnders; the first five notes of that tune are the first five notes of a major scale.

Scale Notes

So basically, it's 1, 2, 3, 4, 5. Just sing it with the numbers for now. Ready?

And 1, 2, 3, 4, 5.

Lovely! Now let's come back down:

So it's going to be 5, 4, 3, 2, 1.

And:

5, 4, 3, 2.

Wonderful! Let's put that together.

Full Exercise

So we're going to go:

1, 2, 3, 4, 5. Breathe. 5, 4, 3, 2, 1.

If you don't need a breath there, that's fine, you probably don't. But just take a little pause.

So that's our chord. We're starting on middle C, and it should be a comfortable range for most female voices.

Let's sing:

1, 2, 3, 4, 5, 5, 4, 3, 2, 1.

Just take a little pause in the middle. You don't need to breathe there, but you can if you want to.

Group Practice

Let's do it together after 4:

1, 2. Don't forget to breathe. 4.

1, 2, 3, 4, 5. And 5, 4, 3, 2, 1.

Lovely!

Humming Exercise

Let's do that on a hum. When you're humming, you might feel a little bit of resonance, a bit of vibration on the lips. That's great!

But make sure your jaw isn't clenched and your teeth aren't together. Keep a nice loose mouth.

The breath in the middle is optional, but we want a little pause or rest, as it's known in music.

Humming Together

Ready after four:

One, two, three. (On a hum.)

And very nice! Let's take that up.

Let's try that same exercise, but on an ng.

So it's going to be:

Remember that NG is like the end of sing, and we use that in our sirens.

But it's not a nasal sound; it should still have a very melodic, lovely tone.

Group Practice on NG

Let's do that together:

Two, three.

Lovely! Track on your own:

Ready? And.

And.

Lovely!

Moving on to Vowel Sounds

Let's move on to a vowel. We're going to do an oo.

So it's:

Two, three, and.

Lovely!

Now, let's move to an E.

So it's:

E. E, 2, 3, and.

Good.

Lovely!

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Meet your guru

Juliet Russell

Juliet Russell

Juliet Russell is a singer, composer, vocal coach and choir director. She is passionate about supporting individuals and communities to develop their voices and creativity.

A vocal coach on ITV’s The Voice, The Voice Kids and BBC’s Michael McIntyre’s Big Show, Juliet has also worked with Grammy, Brit, MTV Europe and MOBO award winning artists. She has collaborated and performed with innovative artists including Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal and Ringo Starr.

In 2015, supported by the Arts Council of England, she toured her Earth Meets Sky album, with local musicians and community choirs to create ten unique performances throughout the UK. She is regularly commissioned to create new choral pieces and vocal arrangements and has performed nationally and internationally.

Committed to artist development, Juliet mentors and coaches emerging artists, working with management, record and publishing companies as well as independent artists. She has a vocal studio in the heart of London’s vibrant Brick Lane.

Juliet was a founding artistic director of Sense of Sound and creative director of Sing Up Greenwich and Sing Late at the V&A. She leads the Portobello Live Choir, a community choir in West London, Assemble professional choir and is a trainer for the British Lung Foundation’s Singing for Lung Health programme.

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