I Need A Dollar (analysis)
Lesson time: (10min 59sec)
Juliet Russell works through 'I Need A Dollar' by Aloe Blacc, using it to practise perfect fifths and smooth transitions between your lower and upper registers.
Course preview
This lesson is part of the course Essential Skills for Singers
Watch a preview of the full course below.
Lesson transcript:
Male Vocalists: Your Challenge with "I Need A Dollar" by Aloe Blacc
Overview
So, male vocalists, your challenge, if you choose to accept it, is your second song. This will be "I Need A Dollar" by Aloe Blacc.
Key Elements of the Song
- This song provides a perfect opportunity to recap your perfect fifths.
- You will sing phrases like, "I need, I need a dollar," focusing on hitting the notes accurately.
Song Range
- Range: The song spans mainly just over an octave, from G flat to A flat above.
- For the octave jump: it would sound like this.
- Remember, that's similar to "Somewhere Over the Rainbow" (1, 8, 1).
Transitioning Registers
- Listen for the transition between your lower register and upper register.
- When "sirening" up, it would sound like: A
- Jazz, could you do that for me? (3 and lovely.)
- You can hear that change.
Practice Techniques
- Practice the transition with:
- O
- Have a go: O
- Great.
Additional Exercises
-
You can practice using a siren:
- Just say: O
- Try: O (with Jazz).
- Perfect!
-
Then, try a little: Woo.
- Feel the different timbres and registers:
- Oo.
- Try: Oo.
- Feel the different timbres and registers:
Practicing the Lyrics
- Transition into:
- "I need a dollar."
- You can practice sliding:
- "I need, I need a dollar."
Dynamics and Timbral Variation
-
Some of you might want to stay in full voice:
- Example: "I need a dollar."
-
Jazz, could you demonstrate a lighter phrasing?
- How does that feel?
Connecting Phrases
- Let's try connecting more smoothly:
- "I need a dollar."
- "A dollar."
High Notes and Alternatives
- Remember, if high notes feel uncomfortable, let's find an option.
- Instead of going up, you can say:
Help Me Section
- For the section "Help me," let's work on making that less breathy:
- Try: "Help me."
Alternative Notes
- If you prefer, you can take it down an octave:
- So, Jazz, demonstrate:
- Help me.
Singing Comfortably
- Always ensure your singing feels easy and comfortable!
- You can leave out difficult notes or work around them.
Precision in Lyrics
- When singing:
- "I need a dollar, a dollar, a dollar is what I need."
- Take a breath before it but still create space in the phrase.
Final Practice
- Jazz, let's hear a take on the first part:
- "I need a dollar, a dollar, a dollar is what I need."
- Make it slightly smoother.
Breathing Techniques
- If you need to breathe, try to combine phrases:
- "If I share with you my story, won't you share your dollar with me?"
Closing Thoughts
- Thank you, Jazz, for singing for us!
- Take your time and always work where your voice feels comfortable.
- If something's not working yet, give it time.
- Tip: Warm up with sirens and hum through the song before singing.
Good Luck!
- Remember, you want to feel good about your progress!
About the instructor

Juliet Russell is a singer, composer, vocal coach and choir director. She is passionate about supporting individuals and communities to develop their voices and creativity. A vocal coach on ITV’s The Voice, The Voice Kids and BBC’s Michael McIntyre’s Big Show, Juliet has also worked with Grammy, Brit, MTV Europe and MOBO award winning artists. She has collaborated and performed with innovative artists including Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal and Ringo Starr. In 2015, supported by the Arts Council of England, she toured her Earth Meets Sky album, with local musicians and community choirs to create ten unique performances throughout the UK. She is regularly commissioned to create new choral pieces and vocal arrangements and has performed nationally and internationally. Committed to artist development, Juliet mentors and coaches emerging artists, working with management, record and publishing companies as well as independent artists. She has a vocal studio in the heart of London’s vibrant Brick Lane. Juliet was a founding artistic director of Sense of Sound and creative director of Sing Up Greenwich and Sing Late at the V&A. She leads the Portobello Live Choir, a community choir in West London, Assemble professional choir and is a trainer for the British Lung Foundation’s Singing for Lung Health programme. read more




