Chasing Cars (analysis)
Lesson time: (6min 8sec)
It's time to put what we've learned so far into practice using Snow Patrol's song, 'Chasing Cars'. Juliet talks us through the challenging parts of the piece and how to approach them, accompanied by male vocalist Jazz.
Course preview
This lesson is part of the course Essential Skills for Singers
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Applying Techniques to "Chasing Cars" by Snow Patrol
In this lesson, we're going to apply some of what we've learned to repertoire, specifically a song. We've chosen "Chasing Cars" by Snow Patrol.
Why This Song?
- Comfortable Range: This song is suitable for most adult male voices.
- Small Interval: The range of this song is only one semitone more, making it a minor 6, which is a relatively small range for a song.
Key Points to Remember
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Dynamic Control:
- At the beginning of the song, dynamics should be controlled.
- The instrumentation is sparse, allowing for an intimate voice, almost like speaking directly to someone.
- As the instrumentation builds, gradually increase your dynamic (volume) as well.
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Important Dynamics:
- Even though the melody is relatively easy, be aware of dynamic increases, especially from the end of the first verse into the half chorus.
- A good rule of thumb: As the instrumentation builds, so should the voice.
- Avoid starting too strongly to allow for dynamic growth. Think of gentle increments, almost like going up a hill.
Lyrics and Emphasis
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Remember the lines:
"Those three words I said too much / They're not enough / If I lay here / If I just lay here / Would you lie with me? / Just forget the world."
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Emphasis:
- The emphasis is not just at the beginning or end; consider where you want to place emphasis within the phrases.
- You can choose to emphasize different words based on your interpretation and emotional connection to the song.
Breathing Techniques
- Space to Breathe:
- This song allows for plenty of breathing space, making it easier, especially for those new to singing.
- Take your time with each phrase and enjoy a smooth exchange of air.
Singing Practice
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Sing the Second Verse:
Whenever you're ready, try this out:
"I don't quite know / How to say / How I feel."
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Focus on Breathing: Notice the spaces where you can breathe; take your time and enjoy the exchange of air.
Repetitive Phrasing
- The phrasing in this song is repetitive, which is not a criticism but a characteristic that adds interest.
- Emotional Connection:
- Focus on connecting emotionally with the song.
- Enhance your performance by infusing your interpretation into the repetitive phrases.
Chorus Practice
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Second Half of the Second Chorus:
When you're ready, sing:
"Forget what we're told / Before we get too old / Show me your garden / Bursting into light."
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Pay attention to how the word "bursting" can evoke a visual image and draw the listener in.
Conclusion
I hope you enjoy singing this song! Remember:
- Dynamic Control: Work on building your dynamics over time.
- Breath Management: Use the breathing spaces to your advantage.
- Emotional Interpretation: Take your time to think about which lines resonate with you, and emphasize those.
Stay true to the melody while making the song your own through personal interpretation!
About the instructor

Juliet Russell is a singer, composer, vocal coach and choir director. She is passionate about supporting individuals and communities to develop their voices and creativity. A vocal coach on ITV’s The Voice, The Voice Kids and BBC’s Michael McIntyre’s Big Show, Juliet has also worked with Grammy, Brit, MTV Europe and MOBO award winning artists. She has collaborated and performed with innovative artists including Damon Albarn, Imogen Heap, Paloma Faith, alt-J, Yoko Ono, Seal and Ringo Starr. In 2015, supported by the Arts Council of England, she toured her Earth Meets Sky album, with local musicians and community choirs to create ten unique performances throughout the UK. She is regularly commissioned to create new choral pieces and vocal arrangements and has performed nationally and internationally. Committed to artist development, Juliet mentors and coaches emerging artists, working with management, record and publishing companies as well as independent artists. She has a vocal studio in the heart of London’s vibrant Brick Lane. Juliet was a founding artistic director of Sense of Sound and creative director of Sing Up Greenwich and Sing Late at the V&A. She leads the Portobello Live Choir, a community choir in West London, Assemble professional choir and is a trainer for the British Lung Foundation’s Singing for Lung Health programme. read more




