Lesson 4 of 14Music ProductionIntermediate

Using samples: Simpler and Sampler devices

7:04
Learn how to use simpler and sampler devices to trigger samples with an external keyboard. Start generating ideas for your track.
Part of the courseCreative Sampling & Production in Ableton Live14 lessons (2h 26m)

This lesson is part of the full course. 2 lessons are free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
John WatsonYour guruJohn Watson

What's in the course

14 lessons (2h 26m) · 2 free
    • 01. Getting started & setup

      3:21

    • 02. Managing a sample library

      Free lesson

      4:34

    • 03. Ableton preferences

      1:14

    • 04. Using samples: Simpler and Sampler devices

      You are here

      7:04

    • 05. Using samples in your track (trim, stretch, tune, EQ)

      12:56

    • 06. Adding sampled strings and flutes

      7:28

    • 07. Adding sampled rhythm: kicks and snares

      25:07

    • 08. Sampling external intsruments - drum machine & synth

      12:28

    • 09. Building the parts in Session view

      13:55

    • 10. Recording the song into Arrange view

      4:34

    • 11. Fine tuning track structure

      5:35

    • 12. Mixing the track: effects

      21:24

    • 13. Final adjustments

      13:14

    • 14. BONUS: Mastering your track & uploading to Soundcloud

      Free lesson

      13:31

Lesson transcript

Music Lesson

Welcome back!

So really, the next stage is to start generating some ideas here. To do that, I want to create some MIDI tracks. This is going to allow me to play the keyboard. I've got my Akai MPK Mini here, which lets me input the samples into a sampler device.

The USB keyboard is plug and play, so I'm plugged in. I don't have to do anything on my MIDI channel; it's all set up for me.

Setting Up the Sampler

The next stage is to grab the Simpler device from my instruments folder.

  1. Double click it to load it onto the channel.
  2. The Simplest device is a sampler, and it's a bit of a pun with the name, it's really a very simple sampler.
  3. If I drag any sound into this device, I'm able to trigger it straight away on the keyboard.
  4. It links and maps the samples chromatically to the keys on my keyboard.

This setup is very quick, and when sampling, you're going to be running through ideas. Some things will work, and some won't, so it's important to keep moving through quickly to get a vibe going. Essentially, I'm just using sounds that I've either found or sampled myself.

Finding Sounds

Now, let's dive into my samples folder:

  1. Double-click to open it and look at the variety of sounds available.
  2. First off, I want to create some kind of rhythm track.

I'm thinking a good track to start with is a percussive guide track. Rather than just hearing the electronic beep of the metronome, I find it helpful to get some shakers or hi-hats to create a little rhythm track.

Searching for Samples

As I scroll through my bank of samples, I'm looking for something fairly sparse. I find this shaker sound, which I like.

  • Drag the sample into the Simplest window; this means I can now play the keyboard, and my sample will play automatically.

I've trimmed these samples in terms of where they start, which is a really good idea. One way to do this is to count along with your sample:

"2, 3, 4, 1."

By doing that and looking at the sample window, I'm able to trim it down effectively. If I want it a bit faster, I can play higher up the keyboard.

Perfecting the Sample

Now, I'm aiming to liberate the actual shaker sound. I check to ensure it starts in the right place, and if I want to move the start point, I simply adjust the locator. For now, the sample seems to work quite well.

Finding Inspiration

The next thing I want to do is find something that's really going to inspire me to lay down some music.

  • I'll come out of my percussion folder and go into field recordings.
  • I'm going to grab this mysterious hang drum sample.

Creating the Track

  1. I create an audio track and drag the hang drum sample over.
  2. I'll also create a new MIDI track and drag the Simplest device over again.
  3. I load a sample into this window by dropping the audio in.

Next, I'll take the record off the shaker track; I know it's there and ready to use when I need it.

Arming the Hang Drum Track

Now, let's arm the hang drum track. This was a sample of someone playing the hang drum in a park in Switzerland. It was a nice calm day, with not a lot of wind, so I was able to get a good recording.

There's quite a bit of talking in the background as well, so I'll listen through to see if there are any nice parts to take.

  • I find an interesting section that catches my ear, so I move in the locators to focus on that part.

I'll work roughly to start, counting in my head to figure out where potentially a bar is. I'm working in a four-four time signature, so I'll count where the first beat comes in.

This is starting to sound good, and I'll stop it there.

$13/monthSubscription

14 lessons

2h 26m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

John Watson

John Watson

After work experience with Depeche Mode and The Cure producer Dave Allen, John was inspired to study Music Technology in London. His music career took off after a successful signing to CookShop Records, releasing 9 singles and an album in 2007 that received rave reviews from Q, Uncut and Lowdown Magazine, plus radio play from XFM and Radio One.

John began training as an audio engineer at Bonafide studio in 2005, where he refined his talents, and later that year set up Jackdaw Recordings. He has collaborated with many successful artists, and in 2007 began playing for pop musician Patrick Wolf, performing at leading venues here in the UK and internationally - including The Astoria and Shepherds Bush Empire.

Based in his London studio, John now writes music, with two more releases on CookShop, does sound engineering for prominent artists, and creates sound design for TV ads, film, theatre and corporate video.

That rare mix of songwriter, producer and working studio engineer is exactly what John brings to his teaching. In Creative Composition & Production in Ableton Live and Creative Sampling & Production in Ableton Live, he shows you how he turns raw ideas into finished, release-ready tracks - the writing, the sampling, the sound design and the hands-on engineering know-how behind a professional record.

John Watson
Pat Levett
Katie Melua
Ed O'Brien
Imogen Heap
Joe Glossop
Frank Doll
Chet Atkins
Chris Haigh

Learn from John Watson and hundreds of others

Get MusicGurus

Unlimited access, money back guaranteed

$13/month

Subscription